EurovisionOdds.org
🇫🇮Finland2.50|
🇫🇷France6.005|
🇩🇰Denmark6.50|
🇬🇷Greece9.002|
🇦🇺Australia10.002|
🇸🇪Sweden15.004|
🇮🇱Israel16.00|
🇺🇦Ukraine25.001|
🇮🇹Italy24.001|
🇨🇾Cyprus35.003|
🇳🇴Norway35.00|
🇦🇹Austria40.001|
🇫🇮Finland2.50|
🇫🇷France6.005|
🇩🇰Denmark6.50|
🇬🇷Greece9.002|
🇦🇺Australia10.002|
🇸🇪Sweden15.004|
🇮🇱Israel16.00|
🇺🇦Ukraine25.001|
🇮🇹Italy24.001|
🇨🇾Cyprus35.003|
🇳🇴Norway35.00|
🇦🇹Austria40.001|
Betting2026-04-28

Eurovision 2026 Winner Odds: Final Pre-Rehearsal Analysis (April 2026)

Eurovision 2026 Winner Odds: Final Pre-Rehearsal Analysis (April 2026)
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We are now less than three weeks from the first rehearsals in Vienna, and the Eurovision 2026 betting market is entering its most volatile phase. Once cameras capture staging, lighting rigs, and live vocals inside the Wiener Stadthalle, odds will move faster than at any other point in the cycle. This is your final window to secure pre-rehearsal prices.

Below: the full top 20 odds table, sharpest movements, a six-bookmaker price comparison, Polymarket whale tracking, and the jury-versus-televote structural analysis that explains why Finland sits where it does.

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The Full Top 20 Odds Table

Here is the complete top 20 as of 28 April 2026, drawn from a composite of bookmaker and exchange prices:

RankCountryArtistSongOddsImplied Prob.
1FinlandLampenius & ParkkonenLiekinheitin6/431%
2DenmarkTorpegaardFor vi gar hjem6/111%
3FranceMonroeRegarde!6/111%
4GreeceAkylasFerto8/110%
5AustraliaDelta GoodremEclipse8/18%
6IsraelNoam BettanMichelle10/16%
7SwedenFeliciaMy System25/13%
8RomaniaAlexandra CapitanescuChoke Me25/13%
9UkraineLelekaRidnym33/12%
10ItalySal Da VinciPer sempre si28/12%
11CyprusAntigoniJalla50/12%
12CzechiaDaniel ZizkaCrossroads66/11%
13BulgariaDaraBangaranga66/11%
14MaltaAidanBella66/11%
15MoldovaSatoshiViva, Moldova80/11%
16CroatiaLelekAndromeda80/11%
17LuxembourgEva MarijaMother Nature100/1<1%
18NorwayJonas LovvYa ya ya100/1<1%
19LithuaniaLion CeccahSolo quiero mas100/1<1%
20United KingdomLook Mum No Computer125/1<1%

The market is heavily concentrated at the top. Finland alone accounts for nearly a third of the implied probability, and the top six countries together represent roughly 77%. Everything from seventh place downward is priced as a longshot, though as we shall see, some of those longshots have moved dramatically.

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Finland: 6/4 and Widening the Gap

Liekinheitin's journey through the betting market tells a story in three acts. Back in January, Finland was available at 8/1 — a strong position but far from dominant. The price then drifted outward to 12/1 during a period of uncertainty around staging details. Since then, the collapse has been relentless: 12/1 to 8/1, then 4/1, and now 6/4. Betfred have Finland at 6/4, and they are not the shortest price available — Betsson are offering just 2.3 in decimal terms.

William Hill report that Finland accounts for 31% of all stakes placed on the Eurovision 2026 winner market. When nearly a third of all money flows to a single entry, it reflects genuine conviction rather than casual punting.

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What makes Finland's position so secure is the structural advantage we will examine in detail later: Liekinheitin is the only entry in the top 10 that is genuinely competitive in both the jury vote and the televote. Every other frontrunner has a clear weakness in one half of the scoring system. Finland does not.

888sport Eurovision 2026 odds analysis
888sport Eurovision 2026 odds analysis

The Chasing Pack: Denmark, France, and Greece

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Three countries are locked in a tight battle for second place, and the gaps between them are narrow enough that rehearsal footage could reshuffle the order entirely.

Denmark — 6/1 (11%)

Torpegaard's 'For vi gar hjem' has been the steadiest climber in the market over the past month. Denmark sat behind France for weeks but has now drawn level at 6/1, reflecting growing confidence in a song that combines emotional authenticity with staging potential. Denmark historically performs well with the televote when it sends heartfelt, accessible material, and this entry fits that template perfectly.

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France — 6/1 (11%)

Monroe's 'Regarde!' was the clear second favourite for much of March, priced as short as 5/1. The slight drift to 6/1 reflects Denmark catching up rather than any loss of faith in the French entry. France benefits from automatic Grand Final qualification as a Big Five member, removing semi-final risk entirely. The price spread across bookmakers is wide — from 6.0 to 9.0 in decimal terms — so shopping around matters here.

Greece — 8/1 (10%)

Akylas and 'Ferto' continue to build momentum. Greece has shortened from 10/1 to 8/1 in the past fortnight, and Oddschecker data shows Greece receiving 15% of all bets in the last 24 hours — the highest single-day share for any country outside Finland. The Greek entry carries strong televote potential given Greece's historically loyal diaspora voting bloc, and the song's energetic production translates well on the Eurovision stage.

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Oddschecker betting shift — Denmark and Greece climb
Oddschecker betting shift — Denmark and Greece climb

The Outsiders: Who Offers Value?

Australia — 8/1 (8%)

Delta Goodrem and 'Eclipse' were trading as short as 7/1 a fortnight ago. The drift to 8/1 suggests momentum has slowed slightly, likely because the market is pricing in Australia's persistent televote disadvantage. Goodrem remains a formidable jury contender — arguably the strongest pure vocalist in the field — but the televote challenge that cost Dami Im the title in 2016 looms again.

Israel — 10/1 (6%)

Noam Bettan's 'Michelle' presents one of the most polarised profiles in the market. The televote data is extraordinary: Israel commands an estimated 38% of televote betting, making it the number one televote pick by a wide margin. But the jury prediction is close to zero. This extreme split makes Israel a high-variance play — capable of surging on the night if the televote carries enough weight, but vulnerable to a jury result that drags the combined total down.

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Romania — 25/1 (3%): The Sharpest Move in the Market

No country has seen a more dramatic odds shift than Romania. Alexandra Capitanescu's 'Choke Me' was available at 100/1 just weeks ago. The price has collapsed to 25/1 — a fourfold reduction in odds that signals serious, sustained money entering the market. The song's provocative edge has generated enormous media coverage, and as experienced Eurovision bettors know, controversy converts to televotes more reliably than almost any other factor. At 25/1, Romania is no longer a speculative punt; it is a genuine dark horse with real money behind it.

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United Kingdom — 125/1 and Drifting

Look Mum No Computer's odds tell a painful story. The UK opened around 25/1, drifted to 33/1, then 80/1, and now sits at 125/1. This is one of the longest prices a Big Five country has carried in recent Eurovision history. The entry's experimental electronic style has clearly failed to capture either bookmaker or public imagination. For UK fans, the sole consolation is automatic Grand Final qualification — there is no semi-final exit to endure, just a long evening on the right-hand side of the scoreboard.

Bookmaker Comparison: Where to Find the Best Price

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Odds vary significantly across bookmakers, and shopping for the best price on your preferred country can materially improve your return. Here is a direct comparison of decimal odds across six major sportsbooks for the top four in the market:

CountryBetssonUnibetBet365William HillBetfredSmarkets
Finland2.32.352.52.382.52.76
Denmark6.57.56.57.07.58.2
France7.08.07.08.56.09.0
Greece7.08.07.08.09.09.0

The key takeaway: price variation is enormous. Finland ranges from 2.3 (Betsson) to 2.76 (Smarkets) — a 20% difference on the favourite alone. Denmark shows a similar spread, from 6.5 at two bookmakers to 8.2 on the exchange. The most striking gap is France: 6.0 at the shortest to 9.0 on Smarkets, a 50% variation that makes shopping around essential. Greece is notably generous at 9.0 on both the Smarkets exchange and one traditional bookmaker. Always compare at least three prices before placing any wager.

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William Hill Eurovision 2026 winner odds
William Hill Eurovision 2026 winner odds

Polymarket: What $125 Million in Volume Tells Us

The prediction market Polymarket has become a significant data source for Eurovision analysis, with total volume on the 2026 contest now exceeding $125 million. This is real money from traders who have financial skin in the game, making it a useful complement to traditional bookmaker odds.

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Current Polymarket prices: Finland 36.3%, Denmark 11.5%, France 10.8%, Greece 11.1%. These broadly align with bookmaker odds but with one notable divergence — Polymarket prices Greece marginally above France, whereas most bookmakers have them level or France slightly ahead. This may reflect Polymarket's international user base picking up on Greek diaspora enthusiasm that European-focused bookmakers are slower to capture.

The whale activity is where it gets truly interesting. A Polymarket trader known as 'Valued' has been building a position on Finland estimated at approximately $200,000. This is not a casual punt. Positions of that size on a single event indicate either deep conviction or access to information — staging previews, delegation intel, rehearsal snippets — that the broader market has not yet priced in.

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Meanwhile, trader 'geronimo4' (56,700 France shares) has flagged that 'Valued' appears to be simultaneously accumulating a quiet position on France. If true, this is a classic whale hedge: build a secondary position while the market watches the primary bet. It suggests 'Valued' may view the contest as a Finland-France two-horse race.

One more data point: Moldova. William Hill have described Moldova as their 'worst result in the book' — sharp early money came in at 100/1 before the odds moved. When a bookmaker flags a country as their worst liability, informed bettors moved first. Moldova at 80/1 may still carry residual value.

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The Structural Edge: Why the Jury-Televote Split Decides Everything

This is the most important section of this analysis. Eurovision's scoring system combines two equally weighted components: the professional jury vote and the public televote. Understanding how each frontrunner performs across both halves reveals why Finland is the favourite and where the vulnerabilities lie.

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Australia: Estimated at 34% of jury vote betting — the number one jury pick — but just 1% of televote predictions. This is the Dami Im problem revisited. Goodrem's vocal excellence makes her the jury's dream candidate, but Australia's geographical isolation creates an almost insurmountable televote deficit. Im came within a whisker in 2016 using this exact profile, but it is not the way to bet.

Israel: The mirror image. An estimated 38% of televote betting — the number one televote pick — but approximately 0% jury support. 'Michelle' generates enormous public engagement, but entries that rely on one half alone rarely take the title.

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Finland: This is why Liekinheitin is at 6/4. Finland sits at an estimated 12% in jury vote predictions and 18% in televote predictions. Neither figure leads outright, but Finland is the only entry in the top 10 that is genuinely competitive in both halves. While Australia owns the jury and Israel owns the televote, Finland picks up strong points from both panels. It is the same structural advantage that carried Portugal (2017) and the Netherlands (2019) to victory.

For bettors, this dual competitiveness is the single strongest argument for Finland at 6/4. If the juries love Australia and the televote loves Israel, Finland quietly picks up points from both panels and wins the aggregate. It is a structurally sound position, not just a popularity contest.

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Odds Movement Summary: The Last Four Weeks

Here are the most significant shifts since late March:

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Biggest shortener: Finland, 8/1 to 12/1 (January drift) then back to 6/4. The single largest move in the market by any measure, with bookmakers shortening Finland steadily throughout April.

Sharpest collapse: Romania, 100/1 to 25/1. A fourfold price reduction that reflects sustained money rather than a single whale. 'Choke Me' is the most controversial entry in the field, and controversy sells at Eurovision.

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Steady climber: Denmark, overtaking France to claim joint second. Torpegaard's emotional ballad has been gaining support organically across fan communities and prediction sites.

Momentum builders: Greece, 10/1 to 8/1. Receiving 15% of bets in the last 24 hours — the highest daily share for any non-favourite country.

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Slowing down: Australia, 7/1 to 8/1. The price drift is modest but directionally concerning for backers. The televote concern appears to be weighing on sentiment.

Slight drift: France, 5/1 to 6/1. Not a collapse but a clear sign that the market sees Denmark as a legitimate rival for second place.

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The long slide: United Kingdom, 25/1 to 125/1. One of the most sustained drifts in the 2026 cycle. The experimental electronic approach has not resonated with bookmakers or bettors.

Pre-Rehearsal Betting Strategy

Rehearsals begin in early May and historically produce the largest odds swings of the cycle. Here is how to position yourself before that volatility hits:

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Lock in Finland now if you are backing the favourite. At 6/4 on Betfred, the price already reflects Finland's dominance. But if rehearsal footage confirms strong staging — which insiders expect — the odds could compress further to even money or shorter. The value is better today than it will be on May 3.

Denmark and Greece are the value plays. Both sit at prices that could halve after a strong first rehearsal. Denmark at 7.5 and Greece at 9.0 are the standout traditional bookmaker prices. If either delivers a visually spectacular rehearsal, expect the money to flood in.

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Romania is the speculative play with structural logic. At 25/1, the price has already shortened dramatically, but controversial entries with strong staging regularly outperform their odds at Eurovision. If the staging for 'Choke Me' delivers, 25/1 could look generous in retrospect.

Avoid Australia for the outright market. The jury-televote split makes 8/1 a poor price for the combined result. If you believe in Goodrem, the jury winner market — where Australia leads — is a sharper play.

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Moldova is the longshot with bookmaker anxiety behind it. At 80/1, a small-stake position costs very little and could pay handsomely if the sharp early money proves prescient.

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Frequently Asked Questions

Who is favourite to win Eurovision 2026?

Finland's Lampenius and Parkkonen are the clear favourite with 'Liekinheitin', priced at 6/4 across most major bookmakers. Finland holds approximately 31% of all stakes placed on the winner market and leads the Polymarket prediction market at 36.3%.

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How do Eurovision betting odds work?

Eurovision odds represent the bookmaker's assessment of each country's probability of winning. Fractional odds like 6/4 mean a successful £4 bet returns £6 profit plus your £4 stake. The shorter the odds, the more likely the outcome. Odds move constantly based on betting volume, news, rehearsal footage, and social media sentiment. Bookmakers build in a margin, so the raw implied probability (40% for 6/4) is slightly higher than the true market probability (closer to 31%).

Which bookmaker has the best Eurovision odds?

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It depends on which country you want to back. Smarkets exchange generally offers the best prices on the top four countries. Among traditional bookmakers, Betfred have Finland at 6/4 and offer competitive prices on Greece and Denmark. The advice is to compare across at least three bookmakers before placing any wager, as the price differences can reach 50% on the same country.

Will Finland win Eurovision 2026?

Finland is the most likely winner according to both bookmakers and prediction markets, but a 31% implied probability means there is roughly a two-in-three chance that someone else takes the title. Finland's key advantage is dual competitiveness in both the jury vote (12%) and televote (18%), making it the only top contender without a glaring weakness in either scoring component. The biggest risk is a staging misfire during rehearsals — if the live production does not match the hype, the odds could drift rapidly.

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When do odds change most for Eurovision?

The three key windows are: national selections (January to March), when the market forms initial opinions; the rehearsal period (early May), when staging footage causes rapid repricing; and the 48 hours around each semi-final and the Grand Final, when live performances create extreme volatility. Of these, the rehearsal period typically produces the largest sustained moves. This is why securing pre-rehearsal prices now is the optimal timing for most bets.

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