Eurovision 2027 — Bulgaria Hosts
Bulgaria's first-ever Eurovision Song Contest, after DARA's 516-point victory in Vienna. Hosted by BNT (Bulgarian National Television) under EBU contest director Martin Green. Confirmed for Arena Burgas in Burgas on 11, 13 and 15 May 2027.
Host city race — resolved
The EBU and BNT confirmed Burgas on 13 August 2026. Sofia reached the final two and lost; Plovdiv and Varna were eliminated at the first stage. Bulgaria has since allocated €20 millionto the contest — €15m as the mandatory guarantee deposit and €5m operational.
The Eurovision Village has a planned site, as of 12 October 2026. Transport Minister Georgi Peev and Mayor Dimitar Nikolov have agreed on the Port of Burgas, on the former “Warehouse 7” site, close to both the city centre and the arena, with access from the railway station, the South Bus Station and the port itself. Reported by BNR News; the site still has to be cleared and prepared before EBU representatives can approve it, so this is a plan rather than a confirmed venue. The mayor also said the state will back extra flights into Burgas Airport, with talks planned with airlines and the national carrier — Eurovoix reported further German, French and Swedish connections on 9 October.
Qualifying venues (≥10,000 capacity)
| Arena | City | Capacity | Note |
|---|---|---|---|
| Arena Sofia | Sofia | 17,906 | Hosted Junior Eurovision 2015 |
| Arena Burgas | Burgas | 15,000 | Opened 2023 |
EBU host-city requirements
- Venue available for 8 weeks minimum — 7 weeks before the final + 1 week after
- Fully equipped event hall with infrastructure for live broadcast
- Good international connections
- Sufficient accommodation in the region
- Organisational, security and sustainability plans documented
- Venue capacity of at least 10,000 people
Confirmed for Eurovision 2027
This table now matches the EBU's official participant list, published 28 October 2026. The field is 36 countries: Canada debuts— the first new country since Australia in 2015, and unlike Australia it must come through a semi-final — and North Macedonia returns after last competing in 2022. Czechia withdrew on 6 October, and Iceland, Ireland and the Netherlands are confirmed as not returning from their 2026 boycotts. Spain and Slovenia sit outside the list with until December to decide, so the final field can still reach 38. Reconciling this table against the official list exposed three of our own omissions:France, Portugal and Azerbaijan were missing from every table on this page, so we had been reporting a confirmed field of 33 when it was already larger. France is a Big Five member whose participation was never in doubt; it was simply never entered. Armenia was promoted from the pending table by the EBU list rather than by anything AMPTV has said. The broadcaster, selection format and date below are what each has published — several confirmed countries have announced no format at all, and that is stated in their row rather than hidden.
RTSH confirmed its intention to compete at the start of August 2026 and will use Festivali i Këngës for a 65th edition. Song submissions OPENED on 22 September 2026 and close on 27 September; a selection committee then shortlists the field for a final in December 2026. The exact final dates and format have not been published.
CONFIRMED by the EBU on 28 October 2026, in the official 36-country participant list for Burgas — not by an AMPTV announcement. This site had Armenia on the pending table as late as 27 October, and had called it "the weakest row on this table" because AMPTV had said nothing about 2027 at all; the only signal on the record was Patrick Fiori (France 1993) saying in October 2025 that he would like to represent Armenia, which is an artist's intention and not broadcaster intent. The EBU list settles participation and nothing else: no selection format, date or venue has been published, and AMPTV has still issued no statement of its own. Armenia has competed every year since 2022 and reached the 2026 final.
SBS confirmed on 1 September 2026 that Australia will compete in Burgas, its 12th participation. The broadcaster framed the decision around audience reach rather than result, citing 3.27 million Australian viewers in 2026 and Delta Goodrem's fourth place in Vienna. THE FORMAT IS NOW ON THE RECORD, by action rather than announcement: SBS opened an online song submission portal on 17 October 2026 and closed it at 23:59 AEDT on 7 November, and has stated that an INTERNAL selection process then chooses the representative. So there is no Australia Decides in 2027 — this is an internal pick fed by an open call, continuing the method SBS has used since 2022. Submission rules: maximum three minutes, at least one Australian citizen in the songwriting team, original and neither commercially released nor publicly performed in whole or in part before 1 September 2026 per the EBU rules, and human-created with no AI involved in the writing. SBS asked for “distinctive and contemporary songs”. No date has been given for naming the act. Australia remains the only broadcaster ever admitted to the contest by Reference Group invitation (2015) rather than through full EBU membership.
ORF, fresh from hosting the 2026 contest in Vienna, has opted for an internal selection. Peter Schreiber and Cesár Sampson (Austria 2018) are heading the search. The artist is expected to be announced in late 2026 or early 2027, with the song revealed later.
CONFIRMED by the EBU on 28 October 2026, in the official 36-country participant list for Burgas. THIS ENTRY CORRECTS AN OMISSION: Azerbaijan was missing from every array on this page until the official list was published, so the site under-counted the confirmed field. İctimai has picked its entry internally since 2018 and has published no format or date for 2027. Azerbaijan debuted in 2008, won in 2011 and has not missed a contest since.
VRT confirmed on 23 September 2026 that Belgium will compete in Burgas, after asking the EBU for an extension past the 15 September deadline. It had previously indicated participation was unlikely, having pressed for a direct vote of member broadcasters on Israel's participation and for a published framework setting out when a country can and cannot compete; it got neither, and entered anyway. The entry will be chosen INTERNALLY — VRT says there is no longer time to stage a national final. Belgium alternates between VRT and RTBF, and 2027 is VRT's turn. The decision is contested inside the building: trade unions ACV VRT and ACOD-VRT filed strike notices covering 11, 13 and 15 May 2027 — the two semi-finals and the grand final — to, in their joint statement, "protect all employees who have moral objections to contribute from far or near to the programs and broadcasts of and about the Eurovision Song Contest". No Eurovision broadcast has previously been struck by its own host-country staff. ESCXTRA reported on 7 October 2026 that broadcasters have "until mid-October to withdraw their participation without facing a financial penalty". That window is single-sourced: neither the EBU nor VRT has published one, and Eurovoix's confirmation report does not mention it. It is nonetheless the only documented reason on the record why a broadcaster that has already confirmed might still be priced below the rest of the confirmed field. THAT WINDOW HAS NOW PASSED WITH NOTHING WITHDRAWING, and the market has agreed: Belgium's Polymarket contract went from 64.5% on 16 October to 89.5% on 19 October, and the order book went from a 51c bid against a 78c ask — a 27-point spread — to 89c/90c, one of the tightest on the board, on about $8,112 of lifetime volume. The discount was real risk pricing after all, and it resolved the way the confirmation said it would. Belgium now prices with the confirmed field rather than below it.
BNT hosts the 71st edition in Burgas after DARA's win with “Bangaranga”. As of 1 September 2026 it had not stated how it will choose its own entry — unusual for a host this late, and the only confirmed participant besides the UK with no format on the record.
Debut confirmed 1 July 2026 in a joint EBU/CBC announcement — the first country from the Americas and the second from outside the European Broadcasting Area after Australia. CBC/Radio-Canada confirmed on 31 August 2026 that the entry will be sung in both French and English: “the song will include both of Canada's official languages and may also include other languages”, with the chosen artist consulted on their comfort in each. Applications ran 31 Aug – 9 Sep 2026 (11:59pm PT), open to citizens and permanent residents aged 18+ on 1 May 2027. Canada picks the ARTIST first and commissions the song afterwards; a shortlist is named in the autumn and decided by a digital public vote on the Eurovision Song Contest Canada website alongside a jury of music experts. UPDATE, 27 October 2026 — THE FIELD IS NAMED AND THE PUBLIC VOTE IS OPEN. CBC/Radio-Canada revealed the five artists competing in Canada’s Choice / Le choix du Canada: WILLIAM CLOUTIER, JOSIANE, RÊVE, TALK and TYLER SHAW. They were picked by a jury of music-industry professionals and public-broadcasting executives: Maurin Auxéméry (programming director, Montreal International Jazz Festival), choreographer Samuel Chouinard, television composer Orin Isaacs, social-media strategist and Eurovision specialist Shawn Myers, soprano Élisabeth St-Gelais, CBC executive vice-president Douglas Smith and Radio-Canada executive vice-president Dany Meloul. PUBLIC VOTING CLOSED at 11:59 p.m. PACIFIC TIME on 5 NOVEMBER 2026, with up to TEN VOTES PER PERSON, and no result was published at the close. It counts for 50% of the result; a professional jury decides the other 50%. NOTE THE DEADLINE DISCREPANCY: Eurovoix reported the close as 16:59 CET on 5 November, which is about sixteen hours earlier than the broadcaster’s own figure — 11:59 p.m. PT on 5 November falls on the morning of 6 November in continental Europe. CBC/Radio-Canada and ESCToday agree on the later time, so this site uses it. THE FIELD CAME FROM 325 APPLICATIONS submitted between 31 August and 9 September 2026; CBC/Radio-Canada music teams cut those to a longlist of 15, and the jury chose the five at a meeting in Toronto on 8 October, judging vocal quality, stage presence, artistic experience, musical vision, availability and potential to perform internationally. The finalists, with the names reported for those who record under one: William Cloutier (pop vocalist, Quebec), Josiane / Josiane Comeau (singer-songwriter, New Brunswick), Rêve / Briannah Donolo (dance-pop, Montreal-born), Talk / Nicholas Durocher (pop-rock, Ottawa) and Tyler Shaw (pop, British Columbia). UPDATE, 9 NOVEMBER 2026 — THE REVEAL HAS A DATE: CBC/Radio-Canada will name the winner on 5 DECEMBER 2026, a month after voting closed, per Eurovoix. The winner will then COMPOSE their Eurovision entry — the artist-first order confirmed in August, so there is no song to judge and no song to bet on until after the artist is chosen. ONE STRUCTURAL POINT THAT IS OFTEN GOT WRONG: Canada is the first country to debut since Australia in 2015, but unlike Australia’s invitational debut it must compete in a semi-final and is not pre-qualified. Source: CBC/Radio-Canada via Eurovoix, 27 October 2026.
HRT confirmed participation on 28 September 2026 and will use Dora again. Song submissions are open until 29 November 2026; an expert jury then picks 24 competing songs plus four reserves, and the final is scheduled for February 2027 with the exact date unannounced. Croatia has competed as an independent nation since 1993 and has missed only 2014 and 2015, when it withdrew over results and cost.
CyBC confirmed participation on 24 September 2026, making Burgas Cyprus's 43rd consecutive appearance since its 1981 debut — it has never skipped an edition it was eligible for since returning in 1982. Promoted here from the pending table, where it had sat on a standing channel policy of entering all three EBU music contests rather than on a 2027 statement. UPDATE, 4 NOVEMBER 2026 — CYPRUS IS THE FIRST OF THE 36 CONFIRMED BROADCASTERS TO NAME AN ARTIST. CyBC revealed GEORGE PERRIS on the morning of 4 November on RIK 1's programme 'Omorfi mera', saying he will "fly the flag for the Mediterranean island at Eurovision 2027 in Burgas". Perris is a Greek-French singer born in Athens to a Greek father and a French mother, 43, who began touring at 18 with composer Mimis Plessas and released his debut album 'Kainouria mou mera' in 2005; he sings in Greek, French, English and Spanish, has played the Lincoln Center and the Odeon of Herodes Atticus, has collaborated with Michel Legrand, Placido Domingo and Lara Fabian, holds the French Chevalier de l'Ordre des Arts et des Lettres and became a UNICEF Goodwill Ambassador in June 2022. He was reportedly among the names proposed to CyBC for 2026 before it chose Antigoni. THE SELECTION METHOD IS NOW CONFIRMED AND IT ANSWERS THE AUGUST QUESTION IN THIS ROW. The song is not pre-selected: CyBC is taking open submissions from Cyprus and abroad, looking for a 'strong artistic identity, contemporary aesthetics and international perspective', with the window closing on 13 DECEMBER 2026, several songs then advancing to a LIVE NATIONAL FINAL scored 50% jury and 50% public televote. That would be Cyprus's first televised national selection since 2015, which is what the production-company offer reported by Cypriot media in August 2026 had proposed — this is the first indication it was taken up, though CyBC has not said whether that company is involved. AI-generated entries are prohibited in the submission rules. No date has been announced for the national final or the song reveal. Sourced to Eurovoix and ESCXTRA, both 4 November 2026, reporting the same CyBC announcement; the broadcaster's own English-language release was not published at the time of checking.
Confirmed by DR before the 2026 final. Song submissions opened in late June 2026 and close on 25 October 2026 at midnight, from which eight songs are picked for the final. The children's MGP runs in the same arena on 20 February 2027.
ERR confirmed Estonia's participation on 4 September 2026 by opening the Eesti Laul 2027 submission window, which closes on 8 October. Twelve finalists compete in a single show: a jury-and-televote round picks three songs, and a superfinal decided purely by televote picks the winner. Entrants must be at least 18. This entry was added on 4 September 2026 — Estonia was absent from the confirmed list until ERR went on the record.
Submissions opened 17 August 2026 via yle.fi/umk and closed in the last week of August — Yle's own page gave 23 August, Eurovoix reported 24 August. A jury shortlists the field for the final, which will be the fourth consecutive UMK at Nokia Arena.
CONFIRMED by the EBU on 28 October 2026, in the official 36-country participant list for Burgas. THIS ENTRY CORRECTS AN OMISSION: France was missing from every array on this page until the official list was published, so the site under-counted the confirmed field — a Big Five member that has never been in any real doubt was simply absent. France Télévisions has not published a 2027 format or date. France last used a televised national final, C'est vous qui décidez, in 2022 and has selected internally since. As one of the Big Five it is pre-qualified for the Grand Final and does not compete in a semi-final.
GPB confirmed its intention to compete in Burgas to ESCToday on 24 September 2026, which will be Georgia's 19th consecutive participation since its 2007 debut. The selection method has not been announced; GPB has used internal selection for its recent entries, having last run a televised national final in 2022.
SWR (responsible for German participation since taking over from NDR in 2026) is reusing the Das Deutsche Finale format, on a Saturday night in February 2027 — the exact date is not published. Song submissions CLOSED at 12:00 CEST on 21 September 2026. Entry rules: acts 18 or over by 1 January 2027 with a strong German connection, songs unreleased before 1 September 2026, under three minutes, any language, and AI-generated songs barred. An SWR “music team” — Jules Kalmbacher, Pele Loriano, Florian Müller, Celina Spanier and Lilly Behling — sifts round one; an international jury of music and Eurovision figures then gives feedback before SWR picks the finalists. SWR ran its first 2027 songwriting camp on 31 August 2026. UPDATE, 12 October 2026: SWR confirmed to ESC Kompakt that around 400 songs were submitted, about 25 of them out of the broadcaster's own songwriting camps. SWR calls the count "in line with 2026" and the quality "stronger than last year". Round one is complete and the first rejection emails have gone out; roughly 40 songs remain in contention going into the international jury round.
ERT confirmed participation in June 2026 and will keep Sing for Greece, the public selection first held in 2025 that has produced two consecutive top-ten finishes. Dates not yet announced.
KAN has confirmed participation and will again co-produce HaKokhav HaBa with Keshet 12. An open call for songs feeds a first round assessed by a KAN/Keshet committee, which shortlists 40 songs. Israel's participation is the subject of the EBU dispute that produced five boycotts in 2026 and RTVE's proposed rule change.
RAI published the full Sanremo 2027 regulations on 21 September 2026, which fix the date: night four, Friday 19 February 2027, is the Eurovision night. All 24 competing artists perform again with different staging, interpretation or arrangement from the other nights, and that performance is voted by an international jury plus televote — this is the vote that picks Italy's Eurovision entry. It is a real break with 2015–2026, when the Sanremo winner simply held right of first refusal, so Italy's Eurovision act and its Sanremo champion can now be two different artists. (The festival's own winner is decided separately: night four's result is aggregated with nights one and two, then the top three to five go to a televote-only round.) Artistic director Stefano De Martino said the artists “will have the opportunity to stage their performances according to their creative vision”.
Song submissions opened 1 August 2026 and CLOSED on 1 October with 125 entries received, a count LTV announced on 13 October 2026. The broadcaster's cultural editor Agnese Strause-Kublina said the pile holds both names familiar to Eurovision audiences and artists entirely new to the selection; the competing artists are to be announced later in 2026. A jury assesses all 125 on relevance to current music-industry trends, vocal ability, originality of composition and the lyrical message. Foreign songwriters may compete provided non-Latvian rights holdings do not exceed 49%. The final runs in two parts: all finalists face public and international jury voting, the top three progress to a superfinal decided by public vote alone.
LRT confirmed its intention to compete to ESC Today in mid-August 2026 — Lithuania's 27th appearance since debuting in Dublin in 1994 — and formally launched Eurovizija.LT 2027 on 19 September 2026, which settles the format that had been listed here as merely expected. Song submissions opened the same day and close on 11 November 2026; a jury then picks at least 30 songs, participants are announced by 25 November, and artists have until 23 December to deliver final versions. Four semi-finals are scheduled to be filmed on 18, 19, 25 and 26 January 2027, with the live final on 20 February 2027. The substantive change is the voting: public votes move online to balsuok.lrt.lt, ending SMS and telephone voting.
The Luxembourgish government approved a further three years of participation in summer 2026. Artist and song applications, open since early July 2026, CLOSED on 20 September 2026. The first in-person auditions ran from 16 to 18 October 2026 at RTL's headquarters in Luxembourg City, where 80 artists performed to a jury and were assessed on singing, artistic identity and stage presence. TWELVE artists went through, named on 19 October 2026: Debbie M, Layso Roy, Maya Maunet, Hugo One, Gaia, Clement Lerat, Patricia Venancio, Perrine Thomas, Marco Misolic, Jaya, Carmen Luisa and KIM. Hugo One is the one past Luxembourg Song Contest participant to advance; Rafa Ela, Angy, Luzac, ShiroKuro, Andrew The Martian and Daryss all auditioned and did not. Of the 80 who auditioned, RTL says 70% held Luxembourgish or dual nationality, 20% were residents and 10% had a strong cultural connection; the audition languages included French, Portuguese, Luxembourgish, Italian and English. The twelve were called back to RTL City on Sunday 18 October for a first workshop. The next phase is 'pairing workshops' matching each shortlisted singer to a song, overseen by Eurovision experts RTL says it will name as the process unfolds, and the final competing line-up is due in MID-NOVEMBER 2026. The format has changed in one substantive way this cycle: candidates no longer need a finished song to enter and may present themselves purely as singers, with RTL matching an artist to a suitable song later in the process if necessary. Song submissions, open to Luxembourgish and international writers alike, continue separately. Entrants must be at least 18 by 15 January 2027 and must either hold Luxembourgish citizenship, have lived in Luxembourg for three consecutive years or have a strong connection to the Luxembourgish music industry; a maximum of six people may be on stage. This is still the earliest confirmed national final of the 2027 season.
PBS confirmed it will compete in Burgas and is expected to use the Malta Eurovision Song Contest again. The format and rules are due later in 2026.
CONFIRMED on 15 October 2026, the 32nd country to confirm for Burgas, and promoted here from the pending table where this site had it on a 1 October note. Head of delegation Veronica Cojocaru communicated the decision to ESCSpot, and TRM confirmed it to ESCToday; the broadcaster has published no press release of its own, so this rests on a head-of-delegation statement relayed by fan media rather than a first-party announcement. Details of the representative and song selection process are promised "at a later date". Vitalie Cojocaru has been appointed as the new head of the Moldovan delegation, a role he previously held in 2008-2011, 2013, 2015 and continuously from 2018 to 2022. Moldova skipped 2025 over the quality of its selection field and its budget, returned in 2026 and finished 8th in Vienna with Satoshi's "Viva Moldova". The previous chief executive resigned after the 2026 Grand Final amid an argument over the points Moldova's national jury gave Romania. Two cautions carried over from the pending row. Moldova has withdrawn after confirming before — it confirmed for 2025, organised a selection and then pulled out — so a confirmation is not the same as an entry on the stage. And note what the market did with this: Polymarket's Moldova participation contract sat at 90.5% from at least 28 September through 16 October on $41 of lifetime volume without a single trade, before and after the confirmation alike, which makes it a resting quote rather than an opinion.
RTCG confirmed participation on 14 September 2026 without saying whether it would hold a third Montesong or pick internally. THAT IS NOW SETTLED: on 6 November 2026 RTCG published the Montesong 2027 rules, so there is a national final and its winner takes the ticket to Burgas. The format: an open public call with no citizenship requirement, so any author or performer worldwide may enter; a Selection Committee of musicians and performers appointed by the Director General judges the entries ANONYMOUSLY within 10 days of the call closing, scoring each song out of 100 (composition 50, lyrics 30, production potential 20); a song needs at least 75 points to qualify, and the committee builds a ranking list including reserves for up to 16 finalists. On the night the result is 50% a professional jury of five and 50% an online public vote. Non-original or previously published or performed songs are disqualified at any stage, RTCG may substitute another song by the same criteria if a legal dispute arises, and it reserves the right to fall back on an internal selection if no song meets expectations. The submission date is not yet set — the window is described as opening soon. Montenegro returned in 2025 after a two-year absence; Tamara Živković failed to qualify from the first semi-final in 2026 with “Nova zora”.
MRT director Zoran Ristoski confirmed the return in a public session on 21 May 2026, ending a four-year absence since 2022. MRT expects a more favourable EBU participation package. No selection format or date announced yet.
NRK confirmed participation in mid-June 2026 and opened MGP 2027 song submissions, which closed on 31 August 2026. Rules bar AI-generated songs, cap entries at 3 minutes, require at least one Norwegian songwriter, and require the song to be unreleased before 1 September 2026. UPDATE, 12 October 2026: NRK says around 1,500 songs were submitted, in line with recent editions, which have drawn between 1,000 and 1,500. The format has still not been revealed. On the same day Mads Tørklep, Norway's Head of Delegation, told NRK he believes 30 to 50 of those submissions were created entirely by AI in spite of the ban, and that "it is difficult for us to stop the use of technology".
TVP confirmed participation on 27 August 2026 — Poland's 29th appearance. Jacek Dybowski again runs the selection, as in 2025 and 2026. Polish outlet Eska reports a national final will be used again, but TVP has not itself published the format or a date.
CONFIRMED by the EBU on 28 October 2026, in the official 36-country participant list for Burgas; Portugal was missing from every array on this page until then. RTP announced the format the same day and it is a double break with recent practice. Festival da Canção 2027 is a ONE-NIGHT contest on 6 March 2027 with 16 songs and NO semi-finals — the first time since 2012 the festival has run without them. And for the first time since 2011 RTP will invite no composers at all: all 16 entries come from the open submission window, which opens on 1 November 2026 and closes on 30 November 2026. Removing the invited-composer route takes away the mechanism that produced Salvador Sobral's 2017 winner, so the 2027 field will be whatever the open call delivers. Remaining details are due later. Bandidos do Cante failed to qualify in 2026, finishing 12th in Semi-Final One with 74 points (39 jury, 35 public) — Portugal's first non-qualification since 2019.
TVR confirmed in late July 2026, after Romania finished third in Vienna. The broadcaster said the early confirmation is meant to give the project a predictable calendar and attract more composers, lyricists, producers and performers to Selecția Națională.
Two phases. The Dreaming San Marino Song Contest casting round puts 240 or more acts through to a Stage & Live Academy of eight shows across four sessions, five acts advancing from each. Semi-finals on 3 and 4 March 2027 cut 40 acts to ten by jury. The final on 6 March fields up to 20 — the ten qualifiers plus up to ten SMRTV wildcards — with a five-member jury choosing the winner.
RTS confirmed participation on 20 October 2026, promoted here from the pending table where this site had left it on a September 2025 note about the PzE ’26 rules referencing a PzE ’27 trophy hand-over. The confirmation reached the record through ESC Kompakt, to which RTS confirmed directly, and was reported by Eurovoix the same day; it takes the provisional 2027 field to 33. THE SELECTION METHOD IS GENUINELY OPEN. RTS would normally have launched Pesma za Evroviziju by September and did not, which is most of why a withdrawal was speculated at all — that plus a change of general director. If RTS opts for an internal selection it would be the first time Serbia has picked that way since 2017. Lavina represented Serbia at Eurovision 2026 with “Kraj mene”, finishing 17th in the final on 90 points, including 12 from both the juries and the public in Croatia and Montenegro.
SVT confirmed participation on 21 August 2026 — Sweden's 66th appearance. Dates and host cities were announced on 17 September 2026, earlier than the November–December press conference this entry previously expected: five heats on 6 February (Karlstad, Löfbergs Arena), 13 February (Göteborg, Scandinavium), 20 February (Malmö Arena), 27 February (Halmstad Arena) and 6 March (Norrköping, Himmelstalundshallen), with the final on 13 March 2027 at the Strawberry Arena in Stockholm. Halmstad and Norrköping host a heat for the first time since 2016; Karlstad returns after 2024. Submissions closed on 11 September 2026 with a record 4,077 songs, from which 30 are picked to compete, about 30% to be performed mainly in Swedish. Hosts Oscar Zia (his third) and Björn Kjellman (his first) were revealed on 28 August 2026. Competing artists are still to be named. UPDATE, 12 October 2026: Melodifestivalen project manager Anders Wistbacka told Aftonbladet he is "convinced that we will receive quite a few AI songs" among those 4,077 submissions, that SVT has no technology to screen songs for AI use and has not banned it, and that SVT does not want to be the first broadcaster to write AI rules because "this is an issue that the music industry will solve".
Submissions opened 20 August 2026 at srf.ch/eurovision and close 7 September 2026 at 23:00 CEST — the first 2027 window to shut. Switzerland has selected internally since 2019, combining a national and international expert jury with an international fan jury; SRG SSR says both panels have deliberately been made younger to meet the EBU's current jury requirements.
Suspilne confirmed participation on 14 September 2026 — Ukraine's 25th appearance — and opened the Vidbir 2027 submission window the next day. IT CLOSED ON 2 NOVEMBER 2026 and Suspilne announced the count on 6 November: 217 songs from 201 artists, of whom 153 are solo acts and 48 are bands, including eight musicians who have competed at a previous Vidbir and applicants based in the Netherlands, the United Kingdom, Norway and Czechia. That is 234 fewer applications than last year. The published route from here: a longlist of up to 12 artists, an in-person audition, then at least 6 shortlisted for the final, with the shortlist out no later than 4 December 2026; the public then awards a wildcard to an act not originally shortlisted, and the full shortlist publishes no later than 22 January 2027. Shortlisted entries may be reworked by Vidbir 2027 musical director Dmytro Shurov (Pianoboy), in that role for the 2023 and 2024 editions too, with industry specialists recommended by Suspilne. The final is in February 2027. Promoted here from the pending table, where this site had left it on a February 2026 note about RTVE's proposed EBU rule change on countries in active military conflict. That proposal has produced no rule barring Ukraine, and Suspilne has entered.
Participation confirmed on 18 June 2026 by Niall Hay, head of press for the UK delegation, and reconfirmed in the EBU’s official participant list on 28 October 2026. BBC Studios holds the UK production tender through 2028. THE SEARCH LAUNCHED ON 27 OCTOBER 2026, and it is an internal selection again rather than a national final. Andrew Cartmell continues as Head of Delegation — his ninth contest in the role since 2012 — working with David May, formerly Sam Ryder’s manager and the BBC’s Eurovision Project Director in 2025 and 2026. The method is the one used in 2026: working through British record labels, publishers, songwriters, BBC Music and BBC Introducing rather than taking open submissions. May said the BBC intends “to be represented by an outstanding current British act, backed up by the very best songwriting and production talent the UK music industry has to offer”, is looking for “an act with tried and tested live performance experience and a song crafted in the UK”, and that “it’s time the United Kingdom reached the top of the Eurovision scoreboard once again”. NO DATE FOR THE REVEAL: the act and song will be announced ahead of the EBU’s submission deadline in March 2027, which is the only timing published. The UK has selected internally since 2020, after a four-contest run of national finals. Its internal-selection record is one second place and little else: 2021 James Newman 26th with 0 points, 2022 Sam Ryder 2nd with 466, 2023 Mae Muller 25th with 24, 2024 Olly Alexander 18th with 46, 2025 Remember Monday 19th with 88, and 2026 Look Mum No Computer 25th with 1 point. Source: BBC via Eurovoix, 27 October 2026.
Pending broadcaster confirmations
Broadcasters outside the EBU's official 36 that have not closed the door — and the documented reason for each. This table lost two rows on 28 October 2026: Armenia went to the confirmed field, promoted by the official list rather than by anything AMPTV has said, and Kazakhstan went to the ruled-out table, absent from the list with the EBU naming only Spain and Slovenia as still open. Of what is left, only Slovenia has a published decision date, and it came from the EBU rather than from RTVSLO. Hungary is a different case: it was not in the list and was not mentioned, so a return would now be an addition to a published field rather than a late entry to an open one.
| Country | Broadcaster | Last comp. | Status | Source |
|---|---|---|---|---|
| Hungary | MTVA → MRTV | 2019 | The most active row on this table. Hungarian outlet 24.hu reported on 3 September 2026 that the broadcaster has negotiated two concessions from the EBU: a significant reduction in the participation fee, and an exceptional extension of the application deadline to 7 December 2026. Interim CEO Dr András Horváth led the talks; the decision itself rests with the permanent management once the Independent Public Media Board has approved. Two caveats. This is a press report, not a broadcaster statement — the EBU and MRTV have not confirmed the terms. And the structural question is now partly answered: MTVA and Duna Média Service are being replaced by Magyar Rádió és Televízió (MRTV) and Magyar Távirati Iroda, and the fact that MRTV is negotiating fees with the EBU at all implies it is being treated as the member, though nothing has said so explicitly. PM Péter Magyar said in May 2026 he would instruct the culture minister to examine a return. UPDATE, 2 October 2026: the Ministry for Social Relations and Culture published its summary of the July–August public-media consultation, and Eurovision appears in it twice — once among the formats that reach several age groups at once through live broadcast, and once in a category of 'supplementary' content, meaning material that is either commercially available elsewhere or whose place in public service broadcasting is contested, and whose postponement carries 'smaller consequences'. That is a government consultation document, not a participation decision, and it reads both ways: Eurovision is named as worth having and named as droppable in the same paper. The decision still sits with the broadcaster's management after the Independent Public Media Board signs off, and the EBU deadline is 7 December 2026. UPDATE, 28 October 2026: the EBU published its official participant list for Burgas and Hungary is NOT on it. The list names 36 countries and the EBU said that only RTVE (Spain) and RTVSLO (Slovenia) have been given until December to decide. Hungary was not mentioned at all. Read that carefully in both directions: the EBU did not rule Hungary out, and the 7 December extension reported by 24.hu was always a separate arrangement from the ordinary confirmation window rather than part of it — but an official field has now been published without Hungary in it, and the EBU itself named only two countries as still open. A Hungarian return would now be an addition to a closed list rather than a late entry to an open one. Nothing has been published by MRTV, the EBU or the Ministry since the 2 October consultation summary. | 24.hu, via Eurovoix, 3 September 2026; Ministry for Social Relations and Culture consultation summary, 2 October 2026, via Eurovoix; ESCSpot 23 August 2025 |
| Slovenia | RTVSLO | 2025 | Boycotted 2026 over Israel's participation, and had signalled it would not return if Israel had won in 2026. RTVSLO confirmed on 17 September 2026 that 'the EBU and RTV Slovenija will discuss in the coming days the possible participation of RTV Slovenia in the Eurovision Song Contest next year'. CORRECTION, 22 September 2026: RTVSLO then stated that it 'didn't request an extension of the deadline for the final decision on participation and therefore did not receive one from the EBU', and that it 'did not send its intention to participate in the 2027 Eurovision Song Contest to the EBU' at all. This site had previously recorded the EBU as holding a slot open for Slovenia past the ordinary deadline; on the broadcaster's own account that is wrong. What remains is 'informative conversations', with the decision tied to the preparation and adoption of RTVSLO's 2027 Programming and Production Plan and constrained by finances. RTVSLO also denied that any of its representatives attended the Eurovision Workshop in Montenegro. UPDATE, 28 October 2026 — SLOVENIA NOW HAS A DEADLINE, AND IT CAME FROM THE EBU: publishing its official 36-country participant list, the EBU said that Slovenia and Spain are 'yet to decide on participation' and that it has given both RTVSLO and RTVE until DECEMBER to decide. That is the first published decision date this row has ever carried, and it resolves the September muddle from the other end: RTVSLO said on 22 September that it had not requested an extension and had not been given one, and that remains true as the broadcaster described it — what exists now is a deadline the EBU has set and announced, not an extension RTVSLO asked for. Slovenia is therefore outside the published field but still able to enter it, which is a materially different position from Iceland, Ireland and the Netherlands, all three of which the EBU listed as not returning. Polymarket repriced the contract from 29.0% on 25 October to about 5.2% on 28 October once the list appeared. | Evrovizija.com 24 November 2025; RTVSLO via Eurovoix 17 September 2026; RTVSLO via Eurovoix 22 September 2026 |
Ruled out of 2027
Broadcasters that have definitively said no — as opposed to those still deciding above.
| Country | Broadcaster | Last comp. | Announced | Reason | Source |
|---|---|---|---|---|---|
| Czechia | ČT | 2026 | 2026-10-06 | A cost withdrawal, confirmed six days after it was first reported as a proposal. Česká televize said that "the Eurovision Song Contest is a large-scale project with significant programming, production and organisational demands" and that "in view of the budget adjustments currently underway, Česká televize has decided not to take part in the 2027 contest". The context is a plan to save 350 million koruna (about €14.3 million) across 2027, first reported by Aktuálně on 30 September alongside cuts to the crime programme Na stopě, the children's shows Draci v hrnci and Šikulové, and overnight news output from Brno and Ostrava. ČT also says it does not plan to buy the broadcast licence, so — as with RTÉ — the contest goes off Czech public television as well as off the Czech entry list; Czech viewers can still watch the official YouTube stream and their votes count in the Rest of the World pool. ČT says it assesses each edition separately and has not ruled out a later return. Daniel Žižka finished 16th in the 2026 final with "Crossroads"; Czechia debuted in 2007, has competed 14 times, reached the final six times and peaked at 6th with Mikolas Josef's "Lie to Me" in 2018. It has form on cost: after 2009 it stayed away for six contests, returning only in 2016. | ČT statement via Eurovoix, ESCToday and EurovisionWorld, 6 October 2026; Aktuálně, 30 September 2026 |
| Kazakhstan | Khabar Agency | never | 2026-10-28 | NOT IN THE FIELD — settled by omission rather than by a statement. The EBU published its official 36-country participant list for Burgas on 28 October 2026 and Kazakhstan is not on it, and the EBU named only Spain and Slovenia as still having a decision to make. Khabar Agency's debut bid is therefore over for 2027. The underlying story was never cleanly resolved on the record and should not be written up as though it was: Politico reported on 10 September 2026 that the EBU had told it Khabar "currently does not meet the requirements for full membership", on the grounds that Kazakhstan is outside the European Broadcasting Area, is not a member of the Council of Europe and holds no official observer status; Khabar then denied having applied at all; and the EBU published no statement of its own, with neither Eurovoix nor ESCXTRA reporting the refusal. The published field now does what none of those did, which is decide the question for 2027. Khabar remains an EBU associate member, a status it has held since 2015 or January 2016 depending on the source, and associate membership has produced a Reference Group invitation exactly once, for Australia's SBS in 2015. Full membership is the route CBC/Radio-Canada took to its 2027 debut. Polymarket priced this out well ahead of the announcement — 26.15% on 13 October, 12.65% on 16 October, 5.15% on 19 October — and the contract resolved NO on 28 October with about $2,195 of lifetime volume. Kazakhstan has form on both sides: Khabar sought full membership in December 2017 and was rejected, it competed at Junior Eurovision from 2018 to 2022 and finished runner-up in 2019 and 2020, and in January 2026 the EBU refused it a 2026 place because the deadline had passed. | EBU participant list, 28 October 2026; Politico 10 September 2026; Eurovoix 9 September 2026 (Ministry of Information and Culture letter reply) |
| Bosnia & Herzegovina | BHRT | 2016 | 2026-07-03 | Ruled out on cost. BHRT has been under EBU sanction over unpaid debts since December 2016 and is in a critical financial position — it halted most programming and appealed for public donations. An 11th consecutive absence. | Eurovoix 3 July 2026 |
| Andorra | RTVA | 2009 | 2026-07-06 | RTVA confirmed it will not return, without stating a reason. Andorra has been absent since 2009. | Eurovoix 6 July 2026 |
| Ireland | RTÉ | 2025 | 2026-09-17 | A political withdrawal, and the only one so far that also withdraws the broadcast. RTÉ said Ireland's participation "cannot be justified given the appalling and ongoing loss of lives in Gaza and the humanitarian crisis there which continues to put the lives of so many civilians at risk", and added that it remains "deeply concerned" by the continued denial of independent access for international journalists to the territory. RTÉ will not enter and will not broadcast the contest — AVROTROS, by contrast, withdrew from competing without saying it would black out the show. This is a second consecutive absence for a seven-time winner that has not missed a contest otherwise since debuting in 1965. Martin Green CBE responded for the EBU the same day: "We regret that RTÉ will not be participating in the Eurovision Song Contest in 2027, but we fully respect their decision and recognise the huge contribution they have made to the Contest", adding that the EBU "will remain in dialogue with RTÉ and hope to welcome them back to the Contest in the future". UPDATE, 1 NOVEMBER 2026 — RTÉ HAS NOW NAMED ITS CONDITION FOR RETURNING. Director General Kevin Bakhurst, on RTÉ's own Behind the Story podcast and reported by RTÉ on 30 October 2026, said he does not think it will be easy to go back "until there's a very significant change on the ground" in Gaza and the West Bank, or until Israel is no longer competing; he described Irish participation in 2026 as "unconscionable" and said RTÉ decided early on 2027 given conditions in the region and the views of Irish audiences. Asked whether the EBU could remove Israel he said "I don't think it's possible", because "the EBU is run by its members" and significant members including the UK, Germany, France and Austria have publicly opposed exclusion — while declining to criticise the EBU, which he said has been "treading a very, very difficult line". Taken together that describes an absence with no mechanism inside the EBU to end it. It remains an interview rather than a decision: no RTÉ process for 2028 has been announced and no date exists. | RTÉ statement, about.rte.ie, 17 September 2026; EBU/Martin Green via Eurovoix, 17 September 2026 |
| Netherlands | NPO / NOS | 2025 | 2026-10-27 | A REVERSAL OF A REVERSAL, and the only one of its kind this season. NPO confirmed on 23 September 2026 that the Netherlands would return to Eurovision after its 2026 boycott, taking the participation mandate itself after AVROTROS handed it back; on 27 October 2026 NPO withdrew that plan and the Netherlands is out of Burgas. The stated cause is a lack of support among NPO's own member broadcasters, not a change in the EBU's position. NPO chair Jet de Ranitz said: "In our coordinating role, we held discussions with the broadcasters to investigate whether there are any broadcasters willing to facilitate the participation of a Dutch artist. In those discussions, we initially felt there was sufficient support to return. Unfortunately, we were unable to find a suitable format for this. As a result, we must conclude that it is currently too early to participate in the Eurovision Song Contest in 2027. Due to the sensitivities surrounding the themes currently at play, we have decided to take a step back for the time being." THE DECISIVE DETAIL IS THE ONE NPO DID NOT USE: under Dutch media law NTR has a statutory duty to fill gaps in programming, which gave NPO the right to assign the Eurovision mandate to NTR whether NTR wanted it or not. De Ranitz declined to: "We did not do that. If we conclude that the subject is so sensitive that it creates such divisive reactions, I consider it irresponsible to force a broadcaster to take over participation for 2027." So the Netherlands is out by a choice not to compel, not by an absence of any legal route in. NOS reported on 28 October that EO and WNL had each been willing to help facilitate an entry: EO director Arjan Lock said they had looked at ways alongside NPO to make it possible, while an EO spokesperson said "We do believe that Eurovision belongs in public broadcasting, but we do not think it fits with EO", and WNL said "There proved to be insufficient support within public broadcasting. For a journalistic broadcaster like WNL, doing it alone is not an option." Willingness to help was therefore not the same as willingness to host the entry, which is the gap that closed this. THE CONTEST STILL AIRS IN THE NETHERLANDS: NPO will broadcast both semi-finals and the final with Dutch commentary, so this is unlike RTÉ's withdrawal, which took the broadcast too. Martin Green said for the EBU that it was "deeply sorry", that the EBU "understand their decision, and we respect the strength of feeling behind it in the Netherlands", and that it looks forward "to welcoming a Dutch entry again whenever NPO, its members and audiences feel the time is right". The Netherlands is a founding country, present at the first contest in 1956, has competed in all but four editions and has won five times, most recently with Duncan Laurence's "Arcade" in 2019. This is a second consecutive absence. The 2 November meeting between de Ranitz and the protesting member-broadcaster staff, which this site had flagged as the next hard date, has been overtaken: the decision came six days before it. | NPO statement via Eurovoix, 27 October 2026; EBU/Martin Green via Eurovoix, 27 October 2026; NOS via Eurovoix, 28 October 2026; EBU participant list, 28 October 2026 |
| Slovakia | STVR | 2012 | 2026-08-02 | A cost decision, not a political one: STVR says participation costs more than it could return. Slovakia had explored a 2026 return before abandoning it on the same grounds. The broadcaster reviews participation annually. | Eurovoix / STVR 2 August 2026 |
2026 boycott — return candidates
Five broadcasters boycotted Vienna 2026 over Israel's participation, and the EBU's official participant list on 28 October 2026resolved three of them at once: Iceland, Ireland and the Netherlands will not return. The Dutch row reversed twice.NPO confirmed a return on 23 September, taking the mandate itself after AVROTROS handed it back — the first reversal of a 2026 boycott anywhere. On 27 October it withdrew that plan, six days before the 2 November meeting this page had flagged as the next hard date. The cause was internal, not the EBU: NPO could not find a member broadcaster willing to carry the entry. Chair Jet de Ranitz said it was “currently too early to participate” and that “due to the sensitivities surrounding the themes currently at play, we have decided to take a step back for the time being”. The detail that decided it is the one she declined to use: Dutch media law gives NTR a statutory duty to fill programming gaps, so NPO could have assigned the mandate regardless, and de Ranitz called forcing a broadcaster to take it “irresponsible”. NOS reported on 28 October that EO and WNL had each been willing to help make an entry possible without being willing to host it — willingness to help was not willingness to carry it, and that is the gap that closed this. The contest still airs on NPO with Dutch commentary, unlike Ireland, where RTÉ withdrew the broadcast too. The Dutch contract was the heaviest book in the event and it resolved to zero. It sat in the 90s for a month — 95.55% on 12 October, 95.10% on 16 October, 96.20% on 22 October, 95.25% on 25 October — with its last trade pinned at 94.1c across four consecutive reads, and resolved NO on 28 October on about $30.2K of lifetime volume. This page said repeatedly that every move in that stretch was quote drift on an untraded book. That was right about the trading and no use at all as a warning: the risk was never in the quote, it was in the story. Iceland is out as its board asked on 30 September, six of nine members voting to stay away unless Israel is barred, and management did not override them. Spain and Slovenia are the only two left, and they now have a published deadline.The EBU said both are “yet to decide” and gave RTVE and RTVSLO until December, so the field can still reach 38. Spain's Santander board vote, trailed for mid-October, has still not been reported — close to seven weeks, and the longest-running unreported story on this board — while RTVE named eighteen Benidorm Fest 2027 acts on 14 October and confirmed on 19 October that Spain will skip Eurovision Young Musicians 2027. Both contracts repriced hard once the list published: Spain from 7.1% on 25 October to about 2.45%, Slovenia from 29.0% to about 5.2%. Both then bounced on 30 and 31 October with nothing published by either broadcaster: Spain printed 37.4% at 21:00 UTC on 30 October after sitting near 4.4% all day and halved back within two hours; Slovenia went further still, reaching 40.4% at 20:00 UTC on 31 October and holding between 39.4% and 40.6% for eleven hours overnight. Both have since unwound almost completely. At 15:00 UTC on 1 November Spain read 14.2%, quoted 10.5c against 17.9c with its last trade stale above the ask at 21.6c and about $10 of volume in the previous day, and Slovenia read 14.7%, quoted 14c against 15.4c on about $1.47K — a 19-point round trip inside twenty-four hours. The only Slovenian item published in that window was about a different contest: RTVSLO confirmed on 31 October that it will not return to Junior Eurovision in 2027. They remain the only two contracts in the event still open, and the December deadline has not moved.
OUT — CONFIRMED BY THE EBU, 28 October 2026. The official 36-country participant list does not include Iceland, and the EBU stated that of the five countries that boycotted in 2026, Iceland, Ireland and the Netherlands will not return in 2027. That closes a row this site had deliberately left open, and the caution was justified by the record rather than by the outcome. RÚV's board met on 30 September 2026 and six of its nine members recorded support for continuing the boycott, asking the Director General to notify the EBU that RÚV would not participate unless Israel were barred; board chair Stefán Jón Hafstein said the EBU "has not taken a substantive position on Israel's participation, as a result the situation remains unchanged". This site then recorded three caveats: that it was conditional non-participation rather than a flat withdrawal, that what RÚV had formally sent the EBU was never published, and — after Director General Stefán Eiríksson said on 3 October that "agenda-related decisions are made by RÚV's management" while acknowledging the board majority's political position — that the body which decides was not the body that voted. All three stay true. What the EBU list adds is the outcome: management did not override the board. Polymarket had it broadly right and early: 66.0% on 28 September, 10.0% on 1 October after the board vote, a nudge back to 12.0% on 4 October, 11.5% on 25 October. The contract resolved NO on 28 October with about $2.4K of lifetime volume.
OUT — CONFIRMED BY THE EBU, 28 October 2026, and the only one of the five whose withdrawal also removes the broadcast. RTÉ ruled Ireland out on 17 September 2026, saying participation "cannot be justified given the appalling and ongoing loss of lives in Gaza and the humanitarian crisis there", and will neither enter nor broadcast; see the ruled-out table for the full statement and the EBU's response. The EBU's participant list confirms the position and names Ireland among the three boycotting countries not returning. Ireland remains the one of the five with no route back on the table, because RTÉ is the sole Irish EBU member and holds the mandate it has refused to use — there is no equivalent of the NPO manoeuvre available. That contrast is now sharper rather than weaker: the Netherlands tried exactly that manoeuvre, got as far as a confirmed return, and still ended up out on 27 October because no member broadcaster would carry the entry. Polymarket: 20.5% before the RTÉ announcement, 2.9% across it, a drift back to 8.6% by 22 September and 3.7% on 25 September, 4.9% on 25 October. The round trip on a settled, broadcaster-announced withdrawal was a thin-market artefact, not a signal anyone expected a reversal. Resolved NO on 28 October with about $2.9K of lifetime volume. UPDATE, 1 NOVEMBER 2026: Director General Kevin Bakhurst has set the terms for any return — a "very significant change on the ground" in Gaza and the West Bank, or Israel out of the contest — and said in the same RTÉ interview on 30 October that he does not think the EBU is able to deliver the second, naming the UK, Germany, France and Austria as members publicly opposed to exclusion. See the ruled-out table for the full quotes. For a 2028 market that does not yet exist anywhere, that is the base case to start from rather than vague future goodwill.
OUT — AND THIS ROW HAS NOW REVERSED TWICE. NPO confirmed a return on 23 September 2026, the first reversal of a 2026 boycott; on 27 October 2026 it withdrew that plan and the Netherlands is not in the EBU's official 36-country field published the next day. The cause was internal: NPO could not find a member broadcaster willing to carry the entry. Chair Jet de Ranitz said it was "currently too early to participate" and that "due to the sensitivities surrounding the themes currently at play, we have decided to take a step back for the time being". She also declined to use the one route that would have worked anyway — Dutch media law lets NPO assign the mandate to NTR, which has a statutory gap-filling duty, and de Ranitz said forcing a broadcaster to take it would be "irresponsible". NOS reported on 28 October that EO and WNL had been willing to help facilitate an entry without being willing to host it. The contest still airs on NPO with Dutch commentary. THE BETTING RECORD HERE IS THE WORST ON THE BOARD AND IT IS WORTH STATING PLAINLY. This contract was the heaviest on the event. It priced 20% on 31 August, spiked to 52% on 4 September on Talpa's production offer, fell to 33% on 10 September, then 46.5% on 19 September and 39% on 22 September, and jumped to 95.3% on 25 September after the NPO announcement. It then sat in the 90s for a month — 95.55% on 12 October, 95.10% on 16 October, 96.20% on 22 October, 95.25% on 25 October — with its last trade pinned at 94.1c across four consecutive reads. This site wrote at the time that every move in that stretch was quote drift on an untraded book and that nothing about the Council of Broadcasters dispute had been traded on in either direction. That read was correct about the trading and useless as a warning: the risk was never in the quote, it was in the story. The contract RESOLVED NO on 28 October 2026 with about $30.2K of lifetime volume, the largest book in the event by a wide margin. Anyone holding YES at 95.25c on 25 October lost effectively the whole stake three days later. The 2 November de Ranitz meeting that this site flagged as the next hard date never got the chance to matter.
STILL UNDECIDED — AND NOW THE ONLY TWO LEFT, WITH A DEADLINE. The EBU's 28 October 2026 participant list named 36 countries, did not include Slovenia, and said that Slovenia and Spain are 'yet to decide on participation', with both RTVSLO and RTVE given until DECEMBER to decide. That is the first published decision date this row has carried. It also squares the September muddle rather than contradicting it: RTVSLO said on 22 September that it "didn't request an extension of the deadline for the final decision on participation and therefore did not receive one from the EBU", and that it never sent the EBU an intention to participate. Both can be true — what exists now is a window the EBU has set and announced, not an extension the broadcaster asked for. This site had earlier recorded the EBU as holding a slot open for Slovenia and corrected that on 22 September; the correction stands for September and the position has genuinely changed in October. RTVSLO's decision remains tied to its 2027 Programming and Production Plan and to money, and the broadcaster has published nothing since. Polymarket ran this contract in circles on no news all month — 33.0% on 19 October, 20.5% and 24.5% across 22 October, 29.0% on 25 October — and then repriced hard to about 5.2% on 28 October when the list appeared without Slovenia on it, quoted 3.5c against 6.9c with the last trade at 7c. It is one of only two contracts in the event still open. UPDATE, 31 October 2026: the contract bounced back with nothing published behind it. It held about 11.7% for the whole of 30 October, stepped to 16.2% overnight and reached 22.1% at 14:00 UTC on 31 October, quoted 18c against 24c with the last trade at 23.8c. RTVSLO has still published nothing since 22 September, so this is a thin book repricing a deadline rather than a decision. UPDATE, 1 NOVEMBER 2026 — THE BOUNCE WENT MUCH FURTHER AND THEN FULLY UNWOUND. The contract printed 40.4% at 20:00 UTC on 31 October, up from 21.4% five hours earlier, held between 39.4% and 40.6% for eleven hours overnight, and then collapsed back through 22.9% at 07:00 UTC to 14.7% by 12:00 UTC on 1 November, where it sat for the rest of the day quoted 14c against 15.4c on about $1.47K of 24-hour volume. A 19-point round trip inside twenty-four hours. THE ONLY SLOVENIAN ITEM PUBLISHED ANYWHERE IN THAT WINDOW WAS ABOUT A DIFFERENT CONTEST: Eurovoix reported on 31 October that RTVSLO had confirmed to Eurofestivales it will not return to the JUNIOR Eurovision Song Contest in 2027. That is not evidence about Burgas, and it points the wrong way in any case — the contract pays on participation, and the price went up before it went down. Nothing was published about the main contest, the broadcaster has still said nothing since 22 September, and the December deadline has not moved. Read this as order flow on a book of this size, not as information.
STILL UNDECIDED — WITH A DECEMBER DEADLINE, AND THE BOARD VOTE IS NOW SEVEN WEEKS OVERDUE. The EBU's 28 October 2026 participant list did not include Spain and said Spain and Slovenia are 'yet to decide', with RTVE given until December. RTVE boycotted 2026 and proposed an EBU rule change to ban countries in active military conflict (25 February 2026). Its board POSTPONED the decision on 16 September 2026, and on 22 September president José Pablo López told the Senate's joint parliamentary commission for RTVE oversight that he would propose a second consecutive absence: 'Voy a proponer al Consejo de Administración de RTVE mantener la suspensión de nuestra participación en Eurovisión para la edición de 2027.' His stated reason is that RTVE's central condition was not met, because KAN remains in the contest — and the EBU list confirms Israel is in the Burgas field. THE SANTANDER BOARD VOTE, TRAILED FOR MID-OCTOBER, STILL HAS NO REPORTED RESULT as of 28 October: close to seven weeks, and now the longest-running unreported story on the 2027 board. A president's recommendation is not a decision; the 2026 vote carried 10 in favour, 4 against, 1 abstention. RTVE did name eighteen Benidorm Fest 2027 acts on 14 October, a festival that also ran in 2026 with no Eurovision ticket attached, and confirmed on 19 October that Spain will skip Eurovision Young Musicians 2027. Polymarket: 3.6% on 12 October, 18.0% on 16 October after the Benidorm Fest line-up, 18.45% on 19 October, 16.4% on 22 October, 7.1% on 25 October, and about 2.45% on 28 October after the list published, quoted 1c against 3.9c with the last trade at 6.4c and roughly $11.1K of lifetime volume — the heaviest of the two contracts still open. The whole Benidorm round trip unwound, which is what this site said a festival line-up was worth. UPDATE, 31 October 2026: the contract then bounced hard on no news at all. It sat near 4.4% through 30 October, printed 37.4% at 21:00 UTC that evening — a six-fold move in a single hour — halved back to 19.7% within two hours, and has traded between 13.0% and 19.2% since, quoted 11.7c against 21.1c with the last trade stale at 28.1c. The Santander board result is still unreported, which now runs to roughly eight weeks. UPDATE, 1 NOVEMBER 2026: the bounce has given back most of itself. The contract drifted from 19.2% at 15:00 UTC on 31 October to 14.2% by 15:00 UTC on 1 November, quoted 10.5c against 17.9c with the last trade stale above the ask at 21.6c, and traded only about $10 in the final twenty-four hours — effectively nothing. Spain is now the quieter of the two open contracts by volume as well as by news. Still no reported board result.
Open issues for 2027
Governance and structural decisions the EBU is currently navigating.
After 5 broadcasters boycotted 2026 — Iceland, Ireland, the Netherlands, Slovenia and Spain — RTVE formally proposed an EBU rule change to ban countries in active military conflict. The EBU has rejected proposals to move Israel to Eurovision Asia, and KAN is in the confirmed field for 2027. Where the five stand as of 1 November 2026, with three of the five resolved and ALL THREE OF THEM OUT. The NETHERLANDS is OUT after all, and this row said the opposite for five days: NPO took the mandate on 23 September with NOS producing and broadcasting, the first reversal of a 2026 boycott — and then NPO WITHDREW AGAIN on 27 October 2026 because no member broadcaster would carry the entry, with the EBU naming the Netherlands on 28 October among the three boycotting countries not returning. The return lasted 34 days. AVROTROS never moved at any stage. IRELAND is out: RTÉ withdrew on 17 September and will not broadcast either, and as Ireland's sole EBU member it has no second broadcaster to hand the mandate to. ICELAND is out as of 30 September, with a caveat that got larger on 3 October: six of nine RÚV board members backed continuing the boycott and instructed the Director General to notify the EBU that Iceland will not participate unless Israel is barred, but Director General Stefán Eiríksson has since said that participation decisions are made by RÚV's management rather than the board, and no formal decision or notification to the EBU has been published. The condition is unlikely to be met; the decision that would apply it has not formally been taken. SPAIN is all but out and now has a date: the board postponed on 16 September, president José Pablo López told the Senate on 22 September that he would propose a second absence, and the board votes in mid-October in Santander; the 2026 vote carried 10-4-1. NO RESULT FROM THAT VOTE HAS BEEN REPORTED AS OF 1 NOVEMBER 2026, roughly seven weeks after it was trailed, and the EBU has now set its own deadline of DECEMBER. The board held an ordinary meeting in Santander on 15 October at which the proposal could have been taken, but Spanish press reported it was not on the published agenda and nothing has been reported since. In the meantime RTVE named eighteen acts for Benidorm Fest 2027 on 14 October — a festival that also ran in 2026 without a Eurovision ticket attached, so it settles nothing either way — and on 19 October confirmed, separately, that Spain will not compete at Eurovision Young Musicians 2027. SLOVENIA is open on the same December deadline — it neither requested nor received an extension and never lodged an intention to participate, and its decision is tied to its 2027 Programming and Production Plan. Separately, and about a different contest, RTVSLO confirmed on 31 October 2026 that it will not return to the Junior Eurovision Song Contest in 2027 either. The Dutch route looked like the structurally interesting one and the one nobody priced — a country can return without the boycotting broadcaster reconsidering, wherever more than one EBU member exists — and then it failed in practice, which is the more useful lesson: taking the mandate is not the same as finding a member willing to produce and air the entry. Polymarket never priced that distinction either. The Dutch contract was the heaviest book in the event at about $30.2K and held the nineties for a month, reading 95.25% on 25 October, two days before the withdrawal, and settled at zero. BELGIUM, which had signalled in May 2026 that participation was 'unlikely' without a direct EBU vote on Israel, took its extension and CONFIRMED on 23 September without getting that vote or a published eligibility framework — and its own trade unions have filed strike notices for 11, 13 and 15 May 2027, all three show dates. KAN's own participation is priced as probable rather than certain, and has firmed: Polymarket had Israeli participation at 90.5% on 25 and 28 September, 94.3% on 7 October, 95.35% on 16 October and 95.75% on 19 October, on a 94.5c/97c book. Separately, and not about Israel at all, Czechia's ČT CONFIRMED its withdrawal on 6 October on cost grounds and will not buy the broadcast licence either, and Moldova's TRM, which said on 1 October it would decide "in a few days", CONFIRMED on 15 October as the 32nd country in — cost withdrawals belong in a different column from political ones, and lumping them together inflates the boycott count. Czechia is the fifth broadcaster to rule itself out of 2027 and the third to do so purely on money, after BHRT and STVR. ADDED 1 NOVEMBER 2026 — THE FIRST ACCOUNT OF WHAT WOULD END A BOYCOTT: RTÉ Director General Kevin Bakhurst told the broadcaster's own Behind the Story podcast, reported by RTÉ on 30 October 2026, that he does not think it will be easy for Ireland to go back "until there's a very significant change on the ground" in Gaza and the West Bank, or until Israel is no longer in the contest — and that he does not believe the second route exists, answering "I don't think it's possible" on whether the EBU could remove Israel, because the EBU is run by its members and significant members including the UK, Germany, France and Austria have publicly opposed exclusion. He declined to criticise the EBU, saying it has been "treading a very, very difficult line". This is the first time any of the five has named a condition for returning rather than a reason for leaving, and the first senior statement that the member-driven route to meeting it is closed. It is an interview, not a decision: no RTÉ process for 2028 has been announced and no date exists.
The Reference Group, the EBU steering committee that runs the contest, lost its Dutch seat in early October 2026: head of delegation Claudia van der Pas is no longer a member, so the Netherlands had no representation on it in the season it was due to return — and, after NPO withdrew again on 27 October 2026, the Netherlands is not in the 2027 contest at all, which makes the lost seat a smaller story than it looked and a harder one to reverse. She sat on one of the seats elected by the Heads of Delegation, which are meant for people actively serving in that role, and a wildcard that kept her in place for the 2026 season after AVROTROS withdrew in November 2025 expired over the summer. Spain's Ana María Bordas (RTVE) continues as chair although Spain did not compete in 2026 and, as of 1 November 2026, still has not settled 2027 — so the committee is chaired by a broadcaster that has not said whether it will enter. Eurovoix also reports that the EBU is preparing a wider reform that would replace the Reference Group entirely with a new committee after the summer of 2027, which would put the governance of the contest beyond Burgas in a body that does not yet exist. Nothing here has been published by the EBU itself.
RTVE's proposal would also affect Ukraine, whose Suspilne represents a nation in active military conflict. No EBU decision announced yet.
Settled on 13 August 2026: Burgas won, with Arena Burgas (15,000) as the venue. Sofia reached the final two and lost; Plovdiv went out in the first round. Sofia has since pressed BNT over how the tender was scored (BNT responded 28 August), and airlines — Jet2, Austrian Airlines and Bulgaria Air — have already added Burgas routes for May 2027.
Sources
- Wikipedia — Eurovision Song Contest 2027 — CC BY-SA 4.0
- Eurovoix — Eurovision 2027: What Do We Know Already? — © Eurovoix (cited as primary reporting source)
- Eurovoix — BNT Confirms Intention to Host the Eurovision Song Contest — © Eurovoix (cited as primary reporting source)
- Eurovoix — Moldova: Eurovision 2027 Participation Confirmed — © Eurovoix (cited as primary reporting source)
- Eurovoix — Luxembourg: 80 Artists to Take Part in Auditions This Weekend — © Eurovoix (cited as primary reporting source)
- ESCXTRA — LTV receives 125 submissions for Supernova 2027 — © ESCXTRA (cited as primary reporting source)
Snapshot captured 17 May 2026 — the morning after Vienna 2026. Confirmations and host-city status will move quickly through summer 2026; this page reflects the public-record state at publication time.