Eurovision 2027 — Bulgaria Hosts
Bulgaria's first-ever Eurovision Song Contest, after DARA's 516-point victory in Vienna. Hosted by BNT (Bulgarian National Television) under EBU contest director Martin Green. Confirmed for Arena Burgas in Burgas on 11, 13 and 15 May 2027.
Host city race — resolved
The EBU and BNT confirmed Burgas on 13 August 2026. Sofia reached the final two and lost; Plovdiv and Varna were eliminated at the first stage. Bulgaria has since allocated €20 millionto the contest — €15m as the mandatory guarantee deposit and €5m operational.
The Eurovision Village has a planned site, as of 12 October 2026. Transport Minister Georgi Peev and Mayor Dimitar Nikolov have agreed on the Port of Burgas, on the former “Warehouse 7” site, close to both the city centre and the arena, with access from the railway station, the South Bus Station and the port itself. Reported by BNR News; the site still has to be cleared and prepared before EBU representatives can approve it, so this is a plan rather than a confirmed venue. The mayor also said the state will back extra flights into Burgas Airport, with talks planned with airlines and the national carrier — Eurovoix reported further German, French and Swedish connections on 9 October.
Qualifying venues (≥10,000 capacity)
| Arena | City | Capacity | Note |
|---|---|---|---|
| Arena Sofia | Sofia | 17,906 | Hosted Junior Eurovision 2015 |
| Arena Burgas | Burgas | 15,000 | Opened 2023 |
EBU host-city requirements
- Venue available for 8 weeks minimum — 7 weeks before the final + 1 week after
- Fully equipped event hall with infrastructure for live broadcast
- Good international connections
- Sufficient accommodation in the region
- Organisational, security and sustainability plans documented
- Venue capacity of at least 10,000 people
Confirmed for Eurovision 2027
Broadcasters that have formally confirmed participation, with the selection format and date where those have been announced. Bulgaria and the United Kingdom are confirmed but have not published a format.
RTSH confirmed its intention to compete at the start of August 2026 and will use Festivali i Këngës for a 65th edition. Song submissions OPENED on 22 September 2026 and close on 27 September; a selection committee then shortlists the field for a final in December 2026. The exact final dates and format have not been published.
SBS confirmed on 1 September 2026 that Australia will compete in Burgas, its 12th participation. The broadcaster framed the decision around audience reach rather than result, citing 3.27 million Australian viewers in 2026 and Delta Goodrem's fourth place in Vienna. No selection format has been announced: Australia Decides ran as a national final from 2019 to 2022 and SBS has selected internally since, but nothing has been said about 2027 either way. Australia remains the only broadcaster ever admitted to the contest by Reference Group invitation (2015) rather than through full EBU membership.
ORF, fresh from hosting the 2026 contest in Vienna, has opted for an internal selection. Peter Schreiber and Cesár Sampson (Austria 2018) are heading the search. The artist is expected to be announced in late 2026 or early 2027, with the song revealed later.
VRT confirmed on 23 September 2026 that Belgium will compete in Burgas, after asking the EBU for an extension past the 15 September deadline. It had previously indicated participation was unlikely, having pressed for a direct vote of member broadcasters on Israel's participation and for a published framework setting out when a country can and cannot compete; it got neither, and entered anyway. The entry will be chosen INTERNALLY — VRT says there is no longer time to stage a national final. Belgium alternates between VRT and RTBF, and 2027 is VRT's turn. The decision is contested inside the building: trade unions ACV VRT and ACOD-VRT filed strike notices covering 11, 13 and 15 May 2027 — the two semi-finals and the grand final — to, in their joint statement, "protect all employees who have moral objections to contribute from far or near to the programs and broadcasts of and about the Eurovision Song Contest". No Eurovision broadcast has previously been struck by its own host-country staff. ESCXTRA reported on 7 October 2026 that broadcasters have "until mid-October to withdraw their participation without facing a financial penalty". That window is single-sourced: neither the EBU nor VRT has published one, and Eurovoix's confirmation report does not mention it. It is nonetheless the only documented reason on the record why a broadcaster that has already confirmed might still be priced below the rest of the confirmed field.
BNT hosts the 71st edition in Burgas after DARA's win with “Bangaranga”. As of 1 September 2026 it had not stated how it will choose its own entry — unusual for a host this late, and the only confirmed participant besides the UK with no format on the record.
Debut confirmed 1 July 2026 in a joint EBU/CBC announcement — the first country from the Americas and the second from outside the European Broadcasting Area after Australia. CBC/Radio-Canada confirmed on 31 August 2026 that the entry will be sung in both French and English: “the song will include both of Canada's official languages and may also include other languages”, with the chosen artist consulted on their comfort in each. Applications ran 31 Aug – 9 Sep 2026 (11:59pm PT), open to citizens and permanent residents aged 18+ on 1 May 2027. Canada picks the ARTIST first and commissions the song afterwards; a shortlist is named in the autumn and decided by a digital public vote on the Eurovision Song Contest Canada website alongside a jury of music experts.
HRT confirmed participation on 28 September 2026 and will use Dora again. Song submissions are open until 29 November 2026; an expert jury then picks 24 competing songs plus four reserves, and the final is scheduled for February 2027 with the exact date unannounced. Croatia has competed as an independent nation since 1993 and has missed only 2014 and 2015, when it withdrew over results and cost.
CyBC confirmed participation on 24 September 2026, making Burgas Cyprus's 43rd consecutive appearance since its 1981 debut — it has never skipped an edition it was eligible for since returning in 1982. Promoted here from the pending table, where it had sat on a standing channel policy of entering all three EBU music contests rather than on a 2027 statement. The selection method has not been confirmed: CyBC has picked internally in recent years, and Cypriot media reported in August 2026 that a production company had offered to fund and stage a televised national selection, which would be the first since 2015. That offer has still not been confirmed by the broadcaster.
Confirmed by DR before the 2026 final. Song submissions opened in late June 2026 and close on 25 October 2026 at midnight, from which eight songs are picked for the final. The children's MGP runs in the same arena on 20 February 2027.
ERR confirmed Estonia's participation on 4 September 2026 by opening the Eesti Laul 2027 submission window, which closes on 8 October. Twelve finalists compete in a single show: a jury-and-televote round picks three songs, and a superfinal decided purely by televote picks the winner. Entrants must be at least 18. This entry was added on 4 September 2026 — Estonia was absent from the confirmed list until ERR went on the record.
Submissions opened 17 August 2026 via yle.fi/umk and closed in the last week of August — Yle's own page gave 23 August, Eurovoix reported 24 August. A jury shortlists the field for the final, which will be the fourth consecutive UMK at Nokia Arena.
GPB confirmed its intention to compete in Burgas to ESCToday on 24 September 2026, which will be Georgia's 19th consecutive participation since its 2007 debut. The selection method has not been announced; GPB has used internal selection for its recent entries, having last run a televised national final in 2022.
SWR (responsible for German participation since taking over from NDR in 2026) is reusing the Das Deutsche Finale format, on a Saturday night in February 2027 — the exact date is not published. Song submissions CLOSED at 12:00 CEST on 21 September 2026. Entry rules: acts 18 or over by 1 January 2027 with a strong German connection, songs unreleased before 1 September 2026, under three minutes, any language, and AI-generated songs barred. An SWR “music team” — Jules Kalmbacher, Pele Loriano, Florian Müller, Celina Spanier and Lilly Behling — sifts round one; an international jury of music and Eurovision figures then gives feedback before SWR picks the finalists. SWR ran its first 2027 songwriting camp on 31 August 2026. UPDATE, 12 October 2026: SWR confirmed to ESC Kompakt that around 400 songs were submitted, about 25 of them out of the broadcaster's own songwriting camps. SWR calls the count "in line with 2026" and the quality "stronger than last year". Round one is complete and the first rejection emails have gone out; roughly 40 songs remain in contention going into the international jury round.
ERT confirmed participation in June 2026 and will keep Sing for Greece, the public selection first held in 2025 that has produced two consecutive top-ten finishes. Dates not yet announced.
KAN has confirmed participation and will again co-produce HaKokhav HaBa with Keshet 12. An open call for songs feeds a first round assessed by a KAN/Keshet committee, which shortlists 40 songs. Israel's participation is the subject of the EBU dispute that produced five boycotts in 2026 and RTVE's proposed rule change.
RAI published the full Sanremo 2027 regulations on 21 September 2026, which fix the date: night four, Friday 19 February 2027, is the Eurovision night. All 24 competing artists perform again with different staging, interpretation or arrangement from the other nights, and that performance is voted by an international jury plus televote — this is the vote that picks Italy's Eurovision entry. It is a real break with 2015–2026, when the Sanremo winner simply held right of first refusal, so Italy's Eurovision act and its Sanremo champion can now be two different artists. (The festival's own winner is decided separately: night four's result is aggregated with nights one and two, then the top three to five go to a televote-only round.) Artistic director Stefano De Martino said the artists “will have the opportunity to stage their performances according to their creative vision”.
Song submissions opened 1 August 2026 and close 1 October 2026. Foreign songwriters may compete provided non-Latvian rights holdings do not exceed 49%. The final runs in two parts: all finalists face public and international jury voting, the top three progress to a superfinal decided by public vote alone.
LRT confirmed its intention to compete to ESC Today in mid-August 2026 — Lithuania's 27th appearance since debuting in Dublin in 1994 — and formally launched Eurovizija.LT 2027 on 19 September 2026, which settles the format that had been listed here as merely expected. Song submissions opened the same day and close on 11 November 2026; a jury then picks at least 30 songs, participants are announced by 25 November, and artists have until 23 December to deliver final versions. Four semi-finals are scheduled to be filmed on 18, 19, 25 and 26 January 2027, with the live final on 20 February 2027. The substantive change is the voting: public votes move online to balsuok.lrt.lt, ending SMS and telephone voting.
The Luxembourgish government approved a further three years of participation in summer 2026. Artist and song applications, open since early July 2026, CLOSED on 20 September 2026. This is still the earliest confirmed national final of the 2027 season.
PBS confirmed it will compete in Burgas and is expected to use the Malta Eurovision Song Contest again. The format and rules are due later in 2026.
RTCG confirmed participation on 14 September 2026, ending a run of two consecutive Montesong national finals without saying whether a third is coming: the broadcaster says it has not decided between a national competition and an internal pick and will announce later. Montenegro returned in 2025 after a two-year absence. Promoted here from the pending table, where this site had left it on a February 2026 note about Tivat hosting the Eurovision Workshop — the confirmation had been public since 14 September and was missed for a fortnight.
RETURNING after a one-year absence. NPO confirmed on 23 September 2026 that the Netherlands will compete in Burgas, reversing the country's 2026 boycott — the first of the five 2026 boycotting countries to come back. The mandate has changed hands: AVROTROS, which had held it since 2010, withdrew on 24 August 2026 and has NOT reversed that, saying it "said goodbye to the Song Contest four weeks ago and made a careful ethical decision about it, based on our own standards and values" and that it will take no part in the new selection. NPO's executive board chair Jet de Ranitz framed the return as helping restore the contest's "unifying character". NPO is not itself a broadcaster, so NOS — the statutory public broadcaster for events of national importance — produces and broadcasts the shows and provides commentary from Bulgaria. The artist and song are chosen by a working group using an independent committee of music experts, explicitly to keep the choice out of politics; no dates, names or format details have been published. The EBU's confirmation deadline was 15 September; NPO asked for and was granted an extension to the end of September. Martin Green welcomed the return for the EBU. The decision is publicly contested in the Netherlands: critics note that nothing underlying the boycott changed — the war in Gaza continues and the EBU has not barred KAN from Burgas — so the reversal is a change of which broadcaster carries the entry, not of the ethical position AVROTROS took.
MRT director Zoran Ristoski confirmed the return in a public session on 21 May 2026, ending a four-year absence since 2022. MRT expects a more favourable EBU participation package. No selection format or date announced yet.
NRK confirmed participation in mid-June 2026 and opened MGP 2027 song submissions, which closed on 31 August 2026. Rules bar AI-generated songs, cap entries at 3 minutes, require at least one Norwegian songwriter, and require the song to be unreleased before 1 September 2026. UPDATE, 12 October 2026: NRK says around 1,500 songs were submitted, in line with recent editions, which have drawn between 1,000 and 1,500. The format has still not been revealed. On the same day Mads Tørklep, Norway's Head of Delegation, told NRK he believes 30 to 50 of those submissions were created entirely by AI in spite of the ban, and that "it is difficult for us to stop the use of technology".
TVP confirmed participation on 27 August 2026 — Poland's 29th appearance. Jacek Dybowski again runs the selection, as in 2025 and 2026. Polish outlet Eska reports a national final will be used again, but TVP has not itself published the format or a date.
TVR confirmed in late July 2026, after Romania finished third in Vienna. The broadcaster said the early confirmation is meant to give the project a predictable calendar and attract more composers, lyricists, producers and performers to Selecția Națională.
Two phases. The Dreaming San Marino Song Contest casting round puts 240 or more acts through to a Stage & Live Academy of eight shows across four sessions, five acts advancing from each. Semi-finals on 3 and 4 March 2027 cut 40 acts to ten by jury. The final on 6 March fields up to 20 — the ten qualifiers plus up to ten SMRTV wildcards — with a five-member jury choosing the winner.
SVT confirmed participation on 21 August 2026 — Sweden's 66th appearance. Dates and host cities were announced on 17 September 2026, earlier than the November–December press conference this entry previously expected: five heats on 6 February (Karlstad, Löfbergs Arena), 13 February (Göteborg, Scandinavium), 20 February (Malmö Arena), 27 February (Halmstad Arena) and 6 March (Norrköping, Himmelstalundshallen), with the final on 13 March 2027 at the Strawberry Arena in Stockholm. Halmstad and Norrköping host a heat for the first time since 2016; Karlstad returns after 2024. Submissions closed on 11 September 2026 with a record 4,077 songs, from which 30 are picked to compete, about 30% to be performed mainly in Swedish. Hosts Oscar Zia (his third) and Björn Kjellman (his first) were revealed on 28 August 2026. Competing artists are still to be named. UPDATE, 12 October 2026: Melodifestivalen project manager Anders Wistbacka told Aftonbladet he is "convinced that we will receive quite a few AI songs" among those 4,077 submissions, that SVT has no technology to screen songs for AI use and has not banned it, and that SVT does not want to be the first broadcaster to write AI rules because "this is an issue that the music industry will solve".
Submissions opened 20 August 2026 at srf.ch/eurovision and close 7 September 2026 at 23:00 CEST — the first 2027 window to shut. Switzerland has selected internally since 2019, combining a national and international expert jury with an international fan jury; SRG SSR says both panels have deliberately been made younger to meet the EBU's current jury requirements.
Suspilne confirmed participation on 14 September 2026 — Ukraine's 25th appearance — and opened the Vidbir 2027 submission window the next day, closing 2 November 2026, with the final in February 2027 and Dmytro Shurov (Pianoboy) as musical director. Promoted here from the pending table, where this site had left it on a February 2026 note about RTVE's proposed EBU rule change on countries in active military conflict. That proposal has produced no rule barring Ukraine, and Suspilne has entered.
Participation confirmed on 18 June 2026 by Niall Hay, head of press for the UK delegation. The BBC has not announced how it will pick the 2027 artist or song; it has used an internal selection with record-label and industry partners in recent years. BBC Studios holds the UK production tender through 2028.
Pending broadcaster confirmations
Broadcasters that have signalled intent but not yet officially confirmed participation — and the documented reason for each.
| Country | Broadcaster | Last comp. | Status | Source |
|---|---|---|---|---|
| Armenia | AMPTV | 2026 | The weakest row on this table. AMPTV has said nothing about 2027; the only signal is Patrick Fiori (France 1993) saying in Oct 2025 that he would like to represent Armenia — an artist's intention, not broadcaster intent. Eurovoix's 1 September 2026 season round-up lists Armenia among the countries that have not announced their plans at all. | Eurovoix / Public.fr 19 October 2025; Eurovoix season round-up 1 September 2026 |
| Hungary | MTVA → MRTV | 2019 | The most active row on this table. Hungarian outlet 24.hu reported on 3 September 2026 that the broadcaster has negotiated two concessions from the EBU: a significant reduction in the participation fee, and an exceptional extension of the application deadline to 7 December 2026. Interim CEO Dr András Horváth led the talks; the decision itself rests with the permanent management once the Independent Public Media Board has approved. Two caveats. This is a press report, not a broadcaster statement — the EBU and MRTV have not confirmed the terms. And the structural question is now partly answered: MTVA and Duna Média Service are being replaced by Magyar Rádió és Televízió (MRTV) and Magyar Távirati Iroda, and the fact that MRTV is negotiating fees with the EBU at all implies it is being treated as the member, though nothing has said so explicitly. PM Péter Magyar said in May 2026 he would instruct the culture minister to examine a return. UPDATE, 2 October 2026: the Ministry for Social Relations and Culture published its summary of the July–August public-media consultation, and Eurovision appears in it twice — once among the formats that reach several age groups at once through live broadcast, and once in a category of 'supplementary' content, meaning material that is either commercially available elsewhere or whose place in public service broadcasting is contested, and whose postponement carries 'smaller consequences'. That is a government consultation document, not a participation decision, and it reads both ways: Eurovision is named as worth having and named as droppable in the same paper. The decision still sits with the broadcaster's management after the Independent Public Media Board signs off, and the EBU deadline is 7 December 2026. | 24.hu, via Eurovoix, 3 September 2026; Ministry for Social Relations and Culture consultation summary, 2 October 2026, via Eurovoix; ESCSpot 23 August 2025 |
| Kazakhstan | Khabar Agency | — | A debut bid, not a return. Khabar Agency applied for FULL EBU membership and for a place at Eurovision 2027, disclosed on 9 September 2026 in the Kazakh Ministry of Information and Culture's reply to a public letter. Khabar has been an EBU associate member since 2015 (Eurovoix; Wikipedia dates it to January 2016), which is not enough on its own: an associate member needs a Reference Group invitation, granted exactly once in the contest's history, to Australia's SBS in 2015. Full membership is the route Canada took to its 2027 debut. The EBU has not commented on the application and has published no timeline. Kazakhstan has form on both sides of this: Khabar sought full membership in December 2017 and was rejected; it competed at Junior Eurovision from 2018 to 2022, finishing runner-up in both 2019 and 2020; and in January 2026 the EBU refused it a place at Eurovision 2026 because the application deadline had passed. The Ministry said in November 2025 that participation 'would require significant financial investment' and that 'the current budget does not take this into account'. | Eurovoix 9 September 2026 (Ministry of Information and Culture letter reply); Eurovoix 29 November 2025 |
| Moldova | TVM | 2026 | Days from a decision, and the only pending row with a deadline this week. TVM has an EBU extension, and head of delegation Veronica Cojocaru said on 1 October 2026 that the call would be made 'in a few days' and rests with a new chief executive being appointed that same day. Moldova skipped 2025 over the quality of its selection field and its budget, returned in 2026 and finished 8th in Vienna with Satoshi's 'Viva Moldova'. The previous chief executive resigned after the 2026 Grand Final amid an argument over the points Moldova's national jury gave Romania. Note the gap between this row and the market: Polymarket has had Moldova at 90.5% to participate since at least 28 September, on $41 of lifetime volume — which is a placeholder, not an opinion, and sits oddly beside a broadcaster that has not decided. | Veronica Cojocaru via Eurovoix, 1 October 2026 |
| Serbia | RTS | 2026 | RTS's published rules for PzE '26 reference handing over the PzE '27 trophy to Serbia's 2027 representative — implicit confirmation. | RTS 15 September 2025 |
| Slovenia | RTVSLO | 2025 | Boycotted 2026 over Israel's participation, and had signalled it would not return if Israel had won in 2026. RTVSLO confirmed on 17 September 2026 that 'the EBU and RTV Slovenija will discuss in the coming days the possible participation of RTV Slovenia in the Eurovision Song Contest next year'. CORRECTION, 22 September 2026: RTVSLO then stated that it 'didn't request an extension of the deadline for the final decision on participation and therefore did not receive one from the EBU', and that it 'did not send its intention to participate in the 2027 Eurovision Song Contest to the EBU' at all. This site had previously recorded the EBU as holding a slot open for Slovenia past the ordinary deadline; on the broadcaster's own account that is wrong. What remains is 'informative conversations', with the decision tied to the preparation and adoption of RTVSLO's 2027 Programming and Production Plan and constrained by finances. RTVSLO also denied that any of its representatives attended the Eurovision Workshop in Montenegro. No date for a decision has been published. | Evrovizija.com 24 November 2025; RTVSLO via Eurovoix 17 September 2026; RTVSLO via Eurovoix 22 September 2026 |
Ruled out of 2027
Broadcasters that have definitively said no — as opposed to those still deciding above.
| Country | Broadcaster | Last comp. | Announced | Reason | Source |
|---|---|---|---|---|---|
| Czechia | ČT | 2026 | 2026-10-06 | A cost withdrawal, confirmed six days after it was first reported as a proposal. Česká televize said that "the Eurovision Song Contest is a large-scale project with significant programming, production and organisational demands" and that "in view of the budget adjustments currently underway, Česká televize has decided not to take part in the 2027 contest". The context is a plan to save 350 million koruna (about €14.3 million) across 2027, first reported by Aktuálně on 30 September alongside cuts to the crime programme Na stopě, the children's shows Draci v hrnci and Šikulové, and overnight news output from Brno and Ostrava. ČT also says it does not plan to buy the broadcast licence, so — as with RTÉ — the contest goes off Czech public television as well as off the Czech entry list; Czech viewers can still watch the official YouTube stream and their votes count in the Rest of the World pool. ČT says it assesses each edition separately and has not ruled out a later return. Daniel Žižka finished 16th in the 2026 final with "Crossroads"; Czechia debuted in 2007, has competed 14 times, reached the final six times and peaked at 6th with Mikolas Josef's "Lie to Me" in 2018. It has form on cost: after 2009 it stayed away for six contests, returning only in 2016. | ČT statement via Eurovoix, ESCToday and EurovisionWorld, 6 October 2026; Aktuálně, 30 September 2026 |
| Bosnia & Herzegovina | BHRT | 2016 | 2026-07-03 | Ruled out on cost. BHRT has been under EBU sanction over unpaid debts since December 2016 and is in a critical financial position — it halted most programming and appealed for public donations. An 11th consecutive absence. | Eurovoix 3 July 2026 |
| Andorra | RTVA | 2009 | 2026-07-06 | RTVA confirmed it will not return, without stating a reason. Andorra has been absent since 2009. | Eurovoix 6 July 2026 |
| Ireland | RTÉ | 2025 | 2026-09-17 | A political withdrawal, and the only one so far that also withdraws the broadcast. RTÉ said Ireland's participation "cannot be justified given the appalling and ongoing loss of lives in Gaza and the humanitarian crisis there which continues to put the lives of so many civilians at risk", and added that it remains "deeply concerned" by the continued denial of independent access for international journalists to the territory. RTÉ will not enter and will not broadcast the contest — AVROTROS, by contrast, withdrew from competing without saying it would black out the show. This is a second consecutive absence for a seven-time winner that has not missed a contest otherwise since debuting in 1965. Martin Green CBE responded for the EBU the same day: "We regret that RTÉ will not be participating in the Eurovision Song Contest in 2027, but we fully respect their decision and recognise the huge contribution they have made to the Contest", adding that the EBU "will remain in dialogue with RTÉ and hope to welcome them back to the Contest in the future". | RTÉ statement, about.rte.ie, 17 September 2026; EBU/Martin Green via Eurovoix, 17 September 2026 |
| Slovakia | STVR | 2012 | 2026-08-02 | A cost decision, not a political one: STVR says participation costs more than it could return. Slovakia had explored a 2026 return before abandoning it on the same grounds. The broadcaster reviews participation annually. | Eurovoix / STVR 2 August 2026 |
2026 boycott — return candidates
Five broadcasters boycotted Vienna 2026 over Israel's participation. As of 13 October 2026 four of the five have resolved 2027, and they have resolved it four different ways. One has returned — the Netherlands, after NPO took the mandate from AVROTROS on 23 September. Two are out: Ireland flatly, from 17 September, and Iceland conditionally, after six of nine RÚV board members voted on 30 September to stay away unless Israel is barred. Spain has a second absence recommended by its president and a board vote in mid-October in Santander that had still not been reported when we checked again on 13 October. Only Slovenia is still genuinely undecided, with its call tied to its 2027 Programming and Production Plan — and its contract is now the tightest-quoted on Polymarket's 2027 board, at a 24c bid against a 25c ask.
OUT, conditionally — decided 30 September 2026, and the last of the five to say anything at all. RÚV's board met that day and six of its nine members recorded support for continuing the boycott; the board asked the Director General to notify the EBU that RÚV will not participate in 2027 unless Israel is barred from participating. Board chair Stefán Jón Hafstein said the position had not changed since last year because the EBU 'has not taken a substantive position on Israel's participation, as a result the situation remains unchanged'. Two precisions matter. This is conditional non-participation, not a flat withdrawal — but the condition is one the EBU has shown no sign of meeting, with KAN in the confirmed field and proposals to move Israel to Eurovision Asia rejected. And it is the board's decision expressed as an instruction to the Director General: what RÚV has formally sent the EBU, and when, has not been published. Polymarket repriced the contract from 66.0% on 28 September to 10.0% on 1 October (bid 6c, ask 14c), roughly doubling its lifetime volume to about $612 in the process. That is the first time this contract has moved on news rather than noise — it had swung between 30% and 73% through September on nothing published at all. UPDATE, 3 October 2026: RÚV's Director General Stefán Eiríksson has put the board's resolution in its place, telling Icelandic media that 'agenda-related decisions are made by RÚV's management' while acknowledging that 'the political position of the majority of the board is clear on this matter'. So no formal decision has been taken and none has been published as sent to the EBU — the board has expressed a position and asked management to act on it, and management has not confirmed that it has. This site's 1 October read already called the decision conditional and the notification unpublished; the DG's statement confirms both and adds a third caveat, that the body which decides is not the body that voted. Polymarket has nudged back from 10.0% to 12.0% (4 October).
WITHDRAWN. RTÉ ruled Ireland out of 2027 on 17 September 2026 and will not broadcast the contest either — see the ruled-out table for the statement and the EBU's response. Ireland is the second of the five 2026 boycotting broadcasters to settle its 2027 position with a definitive no, after AVROTROS on 24 August — but by a different route: AVROTROS handed the mandate back to NPO and the Netherlands is out because no other NPO member took it, whereas RTÉ holds the mandate and has simply refused to use it. Iceland and Slovenia are still undecided, and Spain's president has recommended a second absence. Polymarket repriced Irish participation from 20.5% to 2.9% across the announcement, though it had drifted back up to 8.6% by 22 September before settling at 3.7% on 25 September — the round trip on a settled, broadcaster-announced withdrawal was a thin-market artefact rather than a signal that anyone expected RTÉ to reverse. Ireland is now the only one of the five still out with no route back on the table: the Netherlands returned on 23 September by moving the mandate to another broadcaster, and RTÉ has no equivalent — it is the sole Irish EBU member.
RETURNING — the first reversal of a 2026 boycott. NPO confirmed on 23 September 2026 that the Netherlands will compete in Burgas, with NOS producing and broadcasting and an independent committee of music experts picking the artist and song. AVROTROS, which withdrew on 24 August and handed the mandate back, has NOT changed its mind and will take no part. So the country is back without the broadcaster that boycotted changing position — the entry moved, the ethics did not, which is exactly the criticism being made in the Dutch press. Polymarket had this badly wrong for a month and then repriced in a day: 20% on 31 Aug, a 52% spike on 4 Sep on Talpa's production offer, 33% on 10 Sep, 46.5% on 19 Sep, 39% on 22 Sep — and 95.3% on 25 September. It is the heaviest book on the board at $7.4K and it spent the whole of September pricing a route in that nobody had publicly proposed, then found the right answer only after the announcement. See the confirmed-selections table for the full mechanics.
Boycotted 2026. Said it would not return if Israel won in 2026. RTVSLO said on 17 September 2026 that 'the EBU and RTV Slovenija will discuss in the coming days the possible participation of RTV Slovenia in the Eurovision Song Contest next year'. CORRECTION, 22 September: the broadcaster then said it 'didn't request an extension of the deadline for the final decision on participation and therefore did not receive one from the EBU', and that it never sent the EBU an intention to participate. This site had recorded the EBU as publicly holding a slot open for Slovenia; on RTVSLO's own account that was wrong, and there is no special dispensation on the table. The decision is tied to RTVSLO's 2027 Programming and Production Plan and to money. Polymarket: 30.5% on 17 September, 74.5% on 19 September, 58.5% on 22 September, 60.5% on 25 September, 52.0% on 28 September and 32.5% on 1 October — the 19 September spike, built on an extension RTVSLO says it never requested, has now fully unwound and then some. The 1 October leg came the day after Iceland's board decision, with nothing published by RTVSLO; read that as the market applying Iceland across to the one remaining undecided boycotter, which is a guess rather than a report.
Boycotted 2026. Proposed an EBU rule change to ban countries in active military conflict (25 Feb 2026). RTVE's board POSTPONED its decision on 16 September 2026, and on 22 September president José Pablo López told the Senate's joint parliamentary commission for RTVE oversight that he would propose a second consecutive absence: 'Voy a proponer al Consejo de Administración de RTVE mantener la suspensión de nuestra participación en Eurovisión para la edición de 2027.' His stated reason is that RTVE's central condition was not met — KAN remains in the contest. THE VOTE NOW HAS A DATE: the board meets in mid-October 2026, in Santander. Until it does, Spain is undecided rather than out — a president's recommendation is not a decision. The precedent is the 2026 vote, which carried 10 in favour, 4 against and 1 abstention. Polymarket has been volatile and is not obviously tracking any of this: 21.5% on 19 September, 6% on 22 September, 5.5% on 25 September, 5.3% on 28 September — and then 11.9% on 1 October, more than doubling in the week the board vote was scheduled to confirm an absence, on a contract carrying $3.7K of lifetime volume. We have no explanation for that move and are not going to invent one.
Open issues for 2027
Governance and structural decisions the EBU is currently navigating.
After 5 broadcasters boycotted 2026 — Iceland, Ireland, the Netherlands, Slovenia and Spain — RTVE formally proposed an EBU rule change to ban countries in active military conflict. The EBU has rejected proposals to move Israel to Eurovision Asia, and KAN is in the confirmed field for 2027. Where the five stand as of 7 October 2026, with four of the five now resolved and resolved four different ways. The NETHERLANDS is back: NPO took the mandate on 23 September with NOS producing and broadcasting, the first reversal of a 2026 boycott, although AVROTROS itself has not moved and will play no part — the entry moved, the ethics did not. IRELAND is out: RTÉ withdrew on 17 September and will not broadcast either, and as Ireland's sole EBU member it has no second broadcaster to hand the mandate to. ICELAND is out as of 30 September, with a caveat that got larger on 3 October: six of nine RÚV board members backed continuing the boycott and instructed the Director General to notify the EBU that Iceland will not participate unless Israel is barred, but Director General Stefán Eiríksson has since said that participation decisions are made by RÚV's management rather than the board, and no formal decision or notification to the EBU has been published. The condition is unlikely to be met; the decision that would apply it has not formally been taken. SPAIN is all but out and now has a date: the board postponed on 16 September, president José Pablo López told the Senate on 22 September that he would propose a second absence, and the board votes in mid-October in Santander; the 2026 vote carried 10-4-1. SLOVENIA is the only one still genuinely open — it neither requested nor received an extension and never lodged an intention to participate, and its decision is tied to its 2027 Programming and Production Plan. The Dutch route is the structurally interesting one and the one nobody priced: a country can return without the boycotting broadcaster reconsidering, wherever more than one EBU member exists. BELGIUM, which had signalled in May 2026 that participation was 'unlikely' without a direct EBU vote on Israel, took its extension and CONFIRMED on 23 September without getting that vote or a published eligibility framework — and its own trade unions have filed strike notices for 11, 13 and 15 May 2027, all three show dates. KAN's own participation is priced as probable rather than certain: Polymarket has Israeli participation at 94.3% on 7 October, up from 90.5% on 25 and 28 September and little changed across the fortnight. Separately, and not about Israel at all, Czechia's ČT CONFIRMED its withdrawal on 6 October on cost grounds and will not buy the broadcast licence either, and Moldova's TVM said on 1 October it would decide "in a few days" and had still published nothing by 7 October — cost withdrawals belong in a different column from political ones, and lumping them together inflates the boycott count. Czechia is the fifth broadcaster to rule itself out of 2027 and the third to do so purely on money, after BHRT and STVR.
The Reference Group, the EBU steering committee that runs the contest, lost its Dutch seat in early October 2026: head of delegation Claudia van der Pas is no longer a member, so the Netherlands has no representation on it in the season it returns to the contest. She sat on one of the seats elected by the Heads of Delegation, which are meant for people actively serving in that role, and a wildcard that kept her in place for the 2026 season after AVROTROS withdrew in November 2025 expired over the summer. Spain's Ana María Bordas (RTVE) continues as chair although Spain did not compete in 2026 and has not settled 2027 — so the committee is chaired by a non-participant and no longer seats the delegation of a returning one. Eurovoix also reports that the EBU is preparing a wider reform that would replace the Reference Group entirely with a new committee after the summer of 2027, which would put the governance of the contest beyond Burgas in a body that does not yet exist. Nothing here has been published by the EBU itself.
RTVE's proposal would also affect Ukraine, whose Suspilne represents a nation in active military conflict. No EBU decision announced yet.
Settled on 13 August 2026: Burgas won, with Arena Burgas (15,000) as the venue. Sofia reached the final two and lost; Plovdiv went out in the first round. Sofia has since pressed BNT over how the tender was scored (BNT responded 28 August), and airlines — Jet2, Austrian Airlines and Bulgaria Air — have already added Burgas routes for May 2027.
Sources
- Wikipedia — Eurovision Song Contest 2027 — CC BY-SA 4.0
- Eurovoix — Eurovision 2027: What Do We Know Already? — © Eurovoix (cited as primary reporting source)
- Eurovoix — BNT Confirms Intention to Host the Eurovision Song Contest — © Eurovoix (cited as primary reporting source)
Snapshot captured 17 May 2026 — the morning after Vienna 2026. Confirmations and host-city status will move quickly through summer 2026; this page reflects the public-record state at publication time.